By Mike Renzella | The Haldimand Press

December 14, 2023

PORT COLBORNE — If your holiday season has been light on laughter so far, you should run, not walk, to Port Colborne’s Roselawn Theatre and catch Lighthouse Festival’s first-ever holiday pantomime production, Jack and the Beanstalk, before its final show runs on December 17.

The Panto is an interesting experiment for Lighthouse. Setting the tone immediately, the show actively encourages audience participation, with characters interacting directly with those off the stage and music cues telling the audience to boo the villain, throw out ridiculous animal calls, yell advice to characters, and sing along with those on stage.

It’s a truly fun and unique evening that is sure to please the younger crowd with bright sets, inventive lighting, and over-the-top costumes and performances, while the older crowd is sure to enjoy the show’s onslaught of zingers. The talented cast is game for all the silliness, bringing affable charm to their over-the-top caricatures.

As Jack, Eliza-Jane Scott brings a snot-nosed, Bart Simpson-esque energy to the classic role of the boy duped into selling his cow for a bag of magic beans. His mother, Dame, played by Sal Figliomeni in a tour-de-force performance with no less than 10 impressive costume changes, shines in a role designed to wring every single laugh possible out of the premise of an aging Italian man playing a female protagonist.

If you’ve seen Disney’s animated Robin Hood movie, then you’ll recognize that movie’s snively king in Allan Cooke’s performance as he plays, well, a snively king. With the role, Cooke adds another memorable comedic character to his long and impressive list of Lighthouse performances, having most recently been seen as one of a pair of bumbling thugs in the theatre’s summer-ending show ‘A Pack of Thieves’.

As the aptly named Villain, Cyrus Lane brings a 1930s gangster, scene-chewing energy to a hilariously over-the-top depiction of corporate greed in his Lighthouse debut. His desire to tear down farmland and replace it with “condos, condos, condos as far as the eye can see” seems tailor-made to get Haldimand Norfolk residents booing him with gusto from their seats.

We would be remiss not to mention Stephen Ingram, the show’s Music Director and on-stage narrator. Ingram wanders in and out of the show amiably, always singing a catchy song, and he keeps the show moving at a brisk pace, playing the keyboard with ease and adding musical flair to the show’s sharp comedy.

Director Jonathan Ellul keeps everything moving at a frantic pace, and although the actions unfolding onstage are undeniably silly, the show itself is well-paced and well-produced, shined to a polish. Every sound cue hits right on time, with backstage rimshots aplenty timed to the show’s many intentionally silly dad jokes, and the show has a lot of visual creativity on display, including the titular beanstalk which impressively rises to the rafters to end the show’s first half.

It’s easy to see why Lighthouse Artistic Director Derek Ritschel has been pumping up this production all year. It really is a great, local option for families looking for something to do together during the holidays, and we hope this year’s inaugural panto is just the first in a new local tradition to cherish.

For tickets and more information, visit lighthousetheatre.com.

After studying journalism at Humber College, Mike Renzella desired to write professionally but found himself working in technical fields for many years. Beginning in 2019 as a freelancer, he joined the team full-time later that year. Since then, Mike has won several awards for his articles thanks to his commitment to presenting an unbiased, honest look at the important news and events shaping our community.

By Mike Renzella | The Haldimand Press

November 23, 2023

PORT DOVER—This holiday season, Port Dover’s famous Lighthouse Festival Theatre is offering something new. Adding to their highly successful and frequently hilarious summer festival series, the creative team at Lighthouse is proud to present a new annual tradition: the holiday pantomime (panto for short).

This year’s inaugural offering, Jack and the Beanstalk: The Panto, is playing in Dover from November 29 to December 9 and at Port Colborne’s Roselawn Theatre from December 13-17.

While Lighthouse Artistic Director Derek Ritschel has been thrilled to see the show develop behind the scenes, bringing together a mix of skilled comedic actors from across Lighthouse’s summer season, he said so far it’s been a bit of a tougher sell to the general public.

The common hurdle he’s faced has been the perception that the show is aimed at children. Not the case at all, noted Ritschel, describing the show, in essence, as, “How would a comedy sketch team do Jack and the Beanstalk?”

Show director Jonathan Ellul elaborated, characterizing the upcoming production as, “Imagine everything you love about the Muppet show, the Gong Show, and Buggs Bunny and you’re getting closer to what this show is going to be like! And the audience is as busy as the actors on stage cheering the good guys, and heckling the villain, and singing along.”

Ritschel added, “It’s a fairytale for adults. The kids can come too. Kids can always come to a panto.… The actors are using Jack and the Beanstalk as a loose storyline to follow and to mine for laughs.”

For those needing further explanation, picture the popular animated film series Shrek, which similarly takes familiar fairytale characters and then applies a Saturday Night Live style comedy approach as it skewers its source material.

“It’s just so good,” said Ritschel. “I really want people to see this show.”

Both Ellul and Ritschel know they have their work cut out for them, but they are looking ahead and excited about building the panto into a new beloved local tradition for families in the area.

“My wish is that after the show people will talk about it and think, ‘next year we’ll bring the grandparents too’, or ‘my sisters’ family will love this, let’s all go together next year’,” said Ellul.

Ritschel added, “We just need those people that come to have a good laugh and spread the word. What more can we ask for? When the team finally came together, we felt super confident that we may not have the biggest audiences because no one knows what the heck we’re doing, but the people that do come are about to have their heads blown off.”

While hopeful that this year’s panto comes out of the gate hot, Ritschel and his team have the patience to let their baby grow. 

“The next couple of years will be the education years,” said Ritschel. “Three years from now you won’t be able to get a ticket to the panto. In the UK, they sell their pantos out eight months in advance.”

Ellul called the creative process a “different sort of animal” than a regular production. 

“This script was written for the actors who were cast in the roles. Ken MacDougall has worked with most of the cast and knows their voices and humour, and he has written the script with those actors in mind,” explained Ellul. “Then when we go into the process of rehearsing and putting it on its feet, the actors improvise and riff on what was already written. You wouldn’t do that in a scripted play. Here, that’s what it’s all about!”

Ritschel praised the skilled cast: “In the summer, we expect the actors to be word-perfect to the script, but here, there’s a lot of improv. They’ll do the storyline, but if something happens, if the audience reacts a certain way, the actors are 100% prepared to go off-script. They almost always do.”

Ellul added, “The cast is a group of very smart and funny people. I have worked with all of them before, but this is the first time most of them have worked together. Their inventive approach and willingness to play has created a tight ensemble already!”

He encouraged the younger crowd to wear costumes to the shows, noting, “If you are the sort of person who likes to wear sparkly dresses, and fairy wings, and rainbow unicorns? This is the show to dress up in those costumes for! We have a princess and fairy who would love to see young people dressed up! We even love seeing ninja-turtles and Hogwarts costumes! This is the place to wear those awesome threads! All you need to do is show up, and we will make it worth your while! We can’t wait to see you!”

Ritschel concluded, “It’s comedy for the whole family. There’s nothing more powerful than seeing grandparents, parents, and kids, the whole generational span of a family laughing together. I don’t know how much more powerful that can be, especially in today’s day and age where we all need a laugh, and we need holiday cheer.”

For more information on Jack and the Beanstalk: The Panto or to purchase tickets, visit lighthousetheatre.com or call their box office at 519-583-2221.

After studying journalism at Humber College, Mike Renzella desired to write professionally but found himself working in technical fields for many years. Beginning in 2019 as a freelancer, he joined the team full-time later that year. Since then, Mike has won several awards for his articles thanks to his commitment to presenting an unbiased, honest look at the important news and events shaping our community.

By Mike Renzella | The Haldimand Press

August 24, 2023

PORT DOVER—Lighthouse Festival Theatre’s 2023 summer season is ending the way it began, with a Norm Foster show on stage bringing the big laughs and memorable characters that could only come from the mind of one of Canada’s most well-loved and prolific playwrights.

While the season began with an excellent rendition of Foster’s ‘Come Down From Up River’, directed by acclaimed Canadian actress Sheila McCarthy, it ends with the world premiere of Foster’s newest work, ‘A Pack of Thieves’, directed by accomplished writer, director, and actor Jamie Williams.

The show brings together a powerhouse five-man comedy team of Lighthouse favourites to pull off the ultimate heist. Starring as best friends and neighbours are Jeffrey Wetsch as Chef and Lighthouse Artistic Director Derek Ritschel as Rubber. 

The play sees the pair presented with an out-of-the-blue opportunity to score a million bucks each by ‘stealing’ a prize racehorse from a local businessman, who is in on the scheme, and cashing in on the insurance money together.

Chef, owner of a failing restaurant, and Rubber, a tire salesman, are two men struggling through their own personal crises, both financial and personal. Neither have any experience pulling a heist, but Rubber has a plan. 

He brings in three partners: a serial criminal with a serious distaste for potty mouth named Padre – played by Brad Rudy – and ‘the twins’ (not biological), a pair of hilariously dimwitted thugs with Brad Austin as Chip and Allan Cooke as Dale, who are brought in by Rubber in a bid to score favour with his girlfriend, who happens to be their cousin.

Foster describes the show as a “flat out comedy”, noting how he purposefully tried to challenge himself to write a show that didn’t rely on the heartfelt moments he is known for: “Feelings are good. But this one has none of that. Feelings be damned!”

Director Williams, who stages the action in a fast-paced, joke-a-minute pace that gives the audience just enough time to catch their breath before throwing another red-hot zinger at them, credits all five actors for making the show as memorable as it is: “I can’t think of five better gentlemen to tell this particular story.”

He’s not wrong. Each of the five performers bring a unique vibe that, when combined, makes for some great, belly-laugh-inducing moments throughout the show.

Wetsch and Ritschel are a great duo, with Wetsch wound tighter than a drum and Ritschel amiably clueless to the gravity of the situation they have placed themselves in. Rudy imbues Padre with a steely demeanour driven by a (deserved) lack of faith in his partners’ abilities, while Austin and Cooke steal the show, leaning right into the absolutely ridiculous characters they’ve been served and bringing big laughs with them.

After a summer full of shows with big themes about aging, acceptance, and illness, all delivered with a healthy dose of laughter notwithstanding, it’s great to kick back and enjoy a show with no greater ambition than to make you laugh solidly for two hours. ‘A Pack of Thieves’ accomplishes this goal with ease and brings Lighthouse’s perfect 2023 summer festival to an end in style.

Tickets and showtimes are available at lighthousetheatre.com. The play will be at Port Dover’s Lighthouse Theatre until September 2, before moving on to Port Colborne’s Roselawn Theatre from September 6 to 17.

That’s not all from the fine folks at Lighthouse though, as they will bring their season-topping music revue show ‘Leisa Way’s Opry Gold’, featuring the Wayward Wind Band and running from September 5 to 16 in Dover and from September 20 to 24 in Port Colborne. 

Plus, new for this season, their holiday pantomime ‘Jack and the Beanstalk’ promises “uproarious comedy, fantastical costumes, and musical numbers that will knock your socks off” when it hits the Lighthouse stage this holiday season.

After studying journalism at Humber College, Mike Renzella desired to write professionally but found himself working in technical fields for many years. Beginning in 2019 as a freelancer, he joined the team full-time later that year. Since then, Mike has won several awards for his articles thanks to his commitment to presenting an unbiased, honest look at the important news and events shaping our community.

By Mike Renzella | The Haldimand Press

July 27, 2023

PORT DOVER—2023 has been a year of great, emotional comedy at Lighthouse Theatre and Where You Are – the newest show to hit their Port Dover stage – is no exception, bringing another heaping serving of the laughs and pathos that are the bread and butter of Lighthouse’s ever-popular summer series.

Directed by Jane Spence from a script by Kristen Da Silva, Where You Are tells the story of Glenda and Suzanne, two aging sisters who live together and sell homemade jam out of their small home on Manitoulin Island. When Suzanne’s daughter Beth comes home for a summer visit, secrets are revealed, relationships are put to the test, and life-changing decisions are made.

The play stars Susan Henley as Glenda, Melanie Janzen as Suzanne, Caroline Toal as Beth, and Gaelan Beatty as their good-natured neighbour Patrick.

Janzen and Henley make for a great comic duo in the show, gamely throwing one-liners at each other throughout, and believably selling the play’s more dramatic moments, the most touching of which revolve around their long-lasting, genuine friendship.

Toal imbues her character Beth with a believable vulnerability, proving a great foil to Janzen and Henley’s comedic exploits. While her character may be a bit hard-headed at times, it’s clear that Beth deeply loves her mom and aunt, and the childhood home she has returned to.

As the neighbour Patrick, Beatty brings the charm, making a great straight man to the comedy flying around on stage and displaying a natural chemistry with Toal as the two character’s stories begin to entwine over the course of the show.

Director Spence stages the show lightly, making the best of a witty script and more-than-capable performers. She described what drew her to the show, “It shares a powerful message about the difficulties that arise when secrets are kept, even with the best intentions. It explores what it means to love unconditionally, examining the struggles we sometimes face to give our loved ones the room to live life on their own terms, especially when their choices may differ from the ones we would make for them.”

Where You Are marks Spence’s fifth show for Lighthouse, also taking on this year’s On The Air earlier in the season. 

Writer Da Silva is also no stranger to the Lighthouse stage, having also written Sugar Road, Beyond the Sea, and Hurry Hard, and appearing as an actor as well. Her shows have been mounted at several venues around Ontario, and for good reason; Da Silva’s shows are guaranteed to be two things: hilarious and sincere. 

Where You Are is playing at Port Dover’s Lighthouse Theatre until August 5. It then moves Port Colborne’s Roselawn Theatre from August 9-20.

For more information, visit lighthousetheatre.com, where you can find information on showtimes for this show and the remainder of Lighthouse’s 2023 summer season. 

Up next at the theatre is the Young Company production of Robin Hood, which is running from August 9-12, followed by the World Premiere of Norm Foster’s latest show, A Pack of Thieves, and the season topper, Opry Gold.

By Mike Renzella | The Haldimand Press

July 6, 2023

PORT DOVER—Lighthouse Festival Theatre continues a great 2023 run with their latest production, Bed and Breakfast, a show with a community’s worth of memorable characters brought to exhilarating life by just two performers.

The show tells the story of Brett and Drew, a Toronto-based couple who leave their anxiety-producing, fast-paced lives in the city behind when Brett inherits his aunt’s home in a small-town community that they decide to convert into a bed and breakfast.

Told through flashbacks, the story plays fast and loose with its narrative structure, jumping quickly through a variety of hilarious scenarios where the couple, played by actors Adrian Shepherd-Gawinski (Brett) and Warren Macaulay (Drew), begin to connect with the community they have adopted.

The thing that sets this show apart is the impressive versatility of its two leading men. Both display an incredible ability to seamlessly switch between a variety of characters, often within the confines of a single scene. It’s the best kind of theatrical magic.

In the hands of lesser actors, some of these scenes could have become confusing and difficult to follow, but Macaulay and Shepherd-Gawinski are more than up to the challenge of keeping up with the script’s breakneck pace and non-stop jokes.

While frequently hilarious, the show tackles some tough issues as well, with Brett and Drew finding themselves targeted at times throughout the play by some less-than-friendly townsfolk who disagree with their lifestyle, leading both characters to face startling revelations before the curtains drop.

In the more tender moments of the play, Shepherd-Gawinski and Macaulay share a believable vulnerability that keeps the audience firmly in their corner from the first scene to the last. 

Playwright Mark Crawford touched on the inspiration behind the show, explaining, “As we move towards a more open, accepting, loving society, we’re simultaneously experiencing a nasty backlash against LGBTQ+ people – around the world, but also here at home.”

He wrote the show for all audiences, noting, “Wherever you land on the wide and wonderful spectrum of human sexuality, I hope Bed And Breakfast tickles your funny bone and touches your heart.”

Crawford’s script is chalk full of witty one-liners, big, broad comedic moments, and biting observational-style humour. If you appreciate comedy in any form, you will find something to like with this one. And further, you’ll walk away in awe at live theatre’s continuing ability to celebrate human connection, challenge toxic cultural stereotypes, and still leaving you smiling from the simple joy of a good story well told.

Run, don’t walk, to the Lighthouse Theatre in Dover and get a set of tickets today – you won’t regret it.

‘Bed and Breakfast’ is the third show in Lighthouse’s summer festival series. It runs at Port Dover’s Lighthouse Theatre until July 15, and then heads to Port Colborne’s Roselawn Theatre, where it will delight audiences from July 19-30.

Check out lighthousetheatre.com for more information on show times, including Lighthouse’s unique, inclusive ‘relaxed performance’ program.