Tag: port dover

Better Together with Tina Varughese

Join Us for an Evening of Networking and Inspiration!

Norfolk Economic Development is thrilled to invite you to a special business networking event on October 7th. Co-presented in partnership with the Lighthouse Festival, this evening promises to be a unique opportunity to connect with local business leaders, exchange ideas, and foster new relationships.

Whether you are an established business owner, an aspiring entrepreneur, or a community leader, this event offers the perfect setting to expand your network, share your experiences, and gain valuable insights. Together, we can strengthen our business community and create new opportunities for inclusion, growth, and collaboration.


Keynote Speaker: Meet Tina Varughese

Tina Varughese

Tina Varughese is the go-to inclusion and cultural diversity speaker who helps increase positivity, profits, and purpose in organizations across the country. She’s been named one of Canada’s Top 10 Notable Speakers, she was hired by Hockey Canada to teach hockey players and staff how to confront racism, and has been featured on CBC’s Eyeopener Radio and Dove’s Campaign for Real Beauty.  She transforms work places into spaces of psychological safety that make difficult conversations possible, enables people to see how they’re part of the problem (and more important, the solution!), and results in everyone feeling seen, heard, and acknowledged. Click here to find out more about Tina.


Date

Monday, October 7, 2024

Time

5:00 PM – 7:00 PM

Location

Lighthouse Festival Theatre, Port Dover

Tickets

$12.50 each, advance online purchase required

Event Highlights

  • Networking Reception: Kick off the evening with a one-hour networking reception. Enjoy a cash bar and a light buffet-style “stand-up” meal while mingling with professionals from various sectors, including agriculture, tourism, manufacturing, and retail.
  • Keynote Speaker: We are excited to present our keynote speaker, Tina Varughese, a renowned professional known for leading, laughing, and inspiring audiences with thought-provoking keynotes on cross-cultural communication, work-life balance, and inclusive leadership. Prepare to be engaged and motivated as we explore important themes related to working better together in the changing workplace.

Why Attend?

Join us for an event full of opportunities – from networking with peers to learning actionable insights and finding new prospects to help elevate your business and improve the workplace. It’s an event you won’t want to miss!

  • Expand your network
  • Connect with like-minded professionals and business leaders in a relaxed and welcoming environment.
  • Gain Insights
  • Learn from our keynote speaker’s valuable insights and experiences, which can help you foster a more inclusive and effective workplace.
  • Support local businesses
  • Show your support for the local business community and contribute to its growth and success.
  • Discover opportunities
  • Explore new business opportunities and collaborations that can drive your success and innovation.

Comment: Lakefront (The Slotkin Letter)

Alas closed: Sept. 22. Played at Lighthouse Festival, Port Colborne, Ont. but worth a comment.

By Lynn Slotkin | The Slotkin Letter

September 25, 2024

Written by Norm Foster

Directed by Jeffrey Wetsch

Set by Eric Bunnell

Costumes by Alex Amini

Lighting by Kevin Fraser

Starring: Terry Barna (who jumped in for Ralph Small who injured his knee)

Melodee Finlay

Derek Ritschel

Imagine it, a comedy about senior citizens? Whoda thought it? Well, playwright Norm Foster of course. And artistic director, Derek Ritschel who was wise enough to programme it for the Lighthouse Festival.

Christine (Melodee Finlay) and Robert (Terry Barna) are strangers who meet at a wedding. Both are single and lonely. They seem to hit it off, although we are told that there was ‘some’ liquid refreshment that made them brave. They decided so see if they were still sexy and attractive to the other and planned to take off two days and spend it together in a rustic cabin by a Lakefront. Sex was the object. One doubted they were there to discuss Schopenhauer.

We meet them as they arrive at the cabin and are shown around by Duane, the buoyant but awkward son of the owners who are away. Duane seems to burst into the place at inopportune times. That’s part of his charm and the humour of the piece. We learn that Robert is 70 and divorced and Christine is 68. The place is called Lakefront although one can’t see the lake from the cabin. Duane says that the lake receded eons ago, but the name stuck.

While Robert and Christine are a bit awkward, they are also intelligent, funny characters who have life experience on their side. They know why they are there. They have easy and believable banter and both have a keen sense of humour. It does help that their creator is Norm Foster, who knows his way around a quip and a funny laugh-line.

The production is directed with a wonderful sense of wit by Jeffrey Wetsch. The humour of Robert and Christine is never forced thanks to the wonderful performances of Terry Barna as Robert and Melodee Finlay as Christine. A note: Robert was originally to be played by Ralph Small but a few days before he injured his knee and had to leave the show. Terry Barna saved the day and with two days notice began doing the show, with the script in his hand. For my performance (two days after jumping in) Terry Barna hardly consulted the script at all. His manner is easy, funny, laid-back and full of nuance. As Christine, Melodee Finlay matches him with finesse and understatement and that makes her all the funnier. Rounding out the cast is Derek Ritschel as Duane, who pops into the cabin without knocking, without a clue and full of awkward humour. Lovely.

The set by Eric Bunnell is quirky and appropriate for a play that is quirky too. Alex Amini’s costumes are casual for Robert and Christine. Duane always wears over-warm hat and clothes and is so wide-eyed odd, he’s hilarious.

There is a sweet gentleness to Lakefront. It’s full of the wisdom and humour of people looking to get on with life as joyfully as possible, ideally with someone as searching and as funny as Robert and Christine.

The play closed Sept. 22, but it deserved comment.

Simcoe Little Theatre announces auditions for Jessica’s Fine Adventure

Auditions for Jessica’s Fine Adventure will be held in the basement of Simcoe Little Theatre from 7 PM to 9 PM on November 7th and 8th, 2024. It will be a cold read format and there are no pre-booked times.

Character Breakdown – Cast of 5 with 10 Parts

Jessica Quartermaine: 69 years old. Married for 31 years in a relationship characterized by emotional restraint and lack of passion. Has lived alone since her husband’s untimely demise 19 years ago. Feeling she has never really lived, she is determined to find a way to step out into life and experience – in her words – “the euphoria of sweet intimacy”.

Charlie Quartermaine: Jessica’s son, 35 years old, an accountant, very by the book. At play’s beginning, uptight at pretty well everything, can’t say the word ‘sex’ out loud. Married seven years to Veronica, who is as uptight as he is. At play’s end, however, Charlie is quite different. Seeing the transformation of his mother into a vibrant and courageous person, he is ready to open up and take a chance on life and love.

Alessandro Corelli: Suitable Suitor One – 65, a fashion model in Rome. With long Fabio like hair cascading down to his shoulders, he radiates a relaxed and vibrant sexuality, and is possessed of a generous and kind disposition. However, Alessandro also has hidden struggles within, but through the empathetic nature of Jessica’s character, he finds a renewed confidence in himself.

Edward Stills: Suitable Suitor Two – 43, a librarian who has never kissed a girl. A sweet soul, totally unconfident and socially awkward, he has lived his life through books. Meeting Jessica changes his life as she takes him under her wing, and gives him his first experience of “sweet closeness”, which in turn gives him the confidence to finally find romance in his life.

Jock MacTeague: Suitable Suitor Three – 71, a raucous, larger than life personality with a zest for everything and a great sense of humour. Lost his wife to cancer fifteen years ago, has five daughters. As he has gotten older, Jock believes “even more in the connections we all hope to find within the fleeting moments of time”. Jock feels he has met a kindred spirit in Jessica.

Multiple Parts Played by The 4 Male Actors:

Juan Ignacio Belmonte – A Spanish Mind Body Spirit Guru

Dashing Dream Lover – Jessica’s Dream of Tropical Romance 

Dream Harrison – Jessica’s Husband, appears in her subconscious 

The Italian Waiter – for Jessica/Alessandro meeting Angelica’s Café 

Beat Club Waiter – for Jessica/Edward meeting at The Beat Club 

Questions should be directed to Val Smith, Director, at ryerseval@gmail.com.


About Simcoe Little Theatre

Simcoe Little Theatre is a non-profit community theater located in Simcoe, Ontario in beautiful Norfolk County. For over 60 years, Simcoe Little Theatre has been dedicated to providing quality theatrical productions and fostering a love for the performing arts in the local community. With a talented team of actors, directors, and volunteers, Simcoe Little Theatre continues to entertain and inspire audiences of all ages. For more information, visit www.simcoelittletheatre.org. Where Community Stars Shine!


For Immediate Release: Lighthouse Festival is pleased to present Memphis to Motown: from Soulsville to Hitsville as the Season Topper to cap off the successful 2024 summer theatre season.

Written and directed by Chris McHarge, this musical tribute odyssey promises to take audiences on a soulful journey through one of music’s greatest eras.

September 4, 2024 | Port Dover, ON – Lighthouse Festival is thrilled to announce its season topper, Memphis to Motown: From Soulsville to Hitsville, a sensational live concert experience from the creator of the 2022 smash hit Glory Days, Chris McHarge. This highly anticipated show brings the electrifying sounds of two of America’s most influential musical cities – Memphis & Detroit – to the stage, featuring an incredible lineup of legendary artists.

From the soulful grooves of Otis Redding, Sam & Dave, and Isaac Hayes to the unforgettable harmonies of The Staple Singers, Smokey Robinson, Gladys Knight & the Pips, Marvin Gaye, The Temptations, The Four Tops, and more, Memphis to Motown is set to captivate audiences with its dynamic performances. With a lineup of fabulous singers backed by a dynamite live band, this show promises to deliver a cavalcade of hits that will have audiences dancing in their seats (and in the aisles!)

“It feels so good to be back at Lighthouse, my creative home and base for so many years, and I’m thrilled to bring Memphis to Motown: from Soulsville to Hitsville to you,” says Chris McHarge, the creative force behind the show. “The inspiration for creating this show goes back decades for me. With Rhythm & Blues, everyone always thinks Motown in the 60s, but there was another studio making the most amazing music at the same time: Stax in Memphis – known as Soulsville, USA.”

McHarge, known for his innovative approach to live concerts, has crafted a show that not only pays homage to these iconic artists but also brings their music to life in a fresh and engaging way. The goal is to transport the audience back in time to the golden age of soul and Motown. “We want them to feel as if they’re experiencing these songs for the first time, all over again,” says McHarge.

The concert’s setlist includes timeless classics and lesser-known gems, ensuring there’s something for everyone. McHarge has carefully curated a selection of songs that showcase the breadth and depth of talent that emerged from Memphis and Detroit during this incredible era of music. Whether you’re a lifelong fan of soul and Motown or discovering these tunes for the first time, there’s an energy and emotion in every performance that’s truly special.

Lighthouse Festival’s outgoing Artistic Director, Derek Ritschel, is equally enthusiastic about the upcoming show. “Chris McHarge has a unique ability to connect with audiences through music,” says Ritschel. “His passion and vision for Memphis to Motown: from Soulsville to Hitsville align perfectly with our commitment to providing top-quality entertainment. We’re excited to bring this blockbuster production to our community and can’t wait for audiences to experience the thrill of these unforgettable performances.”

Memphis to Motown: from Soulsville to Hitsville is more than just a concert; it’s a celebration of the music that defined a generation. With its powerful performances and engaging storytelling, this show is set to be an amazing way to top off Lighthouse Festival’s 2024 summer season.

Tickets for Memphis to Motown: from Soulsville to Hitsville are on sale now. Don’t miss your chance to experience this sensational live concert event. For more information and to purchase tickets, visit lighthousetheatre.com or call the box office at 888-779-7703. Join us at Lighthouse Festival and get ready to dance, sing along, and relive the magic of Memphis and Motown!

About Lighthouse Festival
Lighthouse Festival is a charitable organization devoted to the development and production of new and existing Canadian plays. Lighthouse Festival strives to be artistically excellent, support and encourage local and regional artists, and be a source of enjoyment and pride in local communities while promoting local tourism. Located in two beautiful towns on Lake Erie, our theatres operate on a central policy of hospitality, accessibility, and affordability for all.


Media Contact
For media inquiries and further information, please contact:

Don Kearney-Bourque
Marketing & Communications Manager
Lighthouse Festival Theatre Corporation
don@lighthousetheatre.com
Direct: (226) 290-0070
Cell: (289) 541-7410


Businesses say 2024 summer was strong (Port Dover Maple Leaf)

August 28, 2024

Port Dover Maple Leaf

By Jacob Fehr

SUMMER is the busiest time of year in Port Dover. As a town known for tourism, the community annually anticipates droves of visitors between June and September. Many local business owners consider summer the most important season for their stores. The Maple Leaf spoke to Lighthouse Theatre and some business owners about how their summers went this year.

Lighthouse Festival marketing and communications manager Don Kearney-Bourque said the organization “had a great season this past summer” at Lighthouse Theatre. Some theatregoers brought their business to other places in Port Dover, too.

“We’ve exceeded sales targets for a number of our shows, so we’re quite pleased on that front,” Mr. Kearney-Bourque said. “We’ve also noticed patrons attending restaurants and shops before or after shows, so that’s great news for Port Dover and Norfolk County.”

Comparing this summer to last summer, Lighthouse “noticed an increase in patrons this year, which we’re very pleased about,” he said. He mentioned the organization attended many festivals this year to promote itself and has observed an increase in “the number of people interested in Lighthouse.”

“I think people felt cloistered during the pandemic and were hesitant to do things after it subsided, but they now feel more energized to go out and do things to make up for the years they couldn’t. We’re very happy to see that business is rebounding and is up from last year,” he explained.

Lighthouse has also noticed changes in how audiences arrive for shows and the kind of shows they attend.

“We’ve seen an increase in our patrons attending our relaxed performances, which creates an environment where barriers are removed or reduced for people that wouldn’t be able to attend a regular show. We’ve also observed more group tours, indicating that people are feeling better about travelling together,” Mr. Kearney-Bourque said.

“Mostly, we feel that audiences are ready to laugh again after several years of less than stellar headlines so that’s the most welcome change.”

Fisherman’s Catch owner Debbie Knechtel said the restaurant was busy this summer.

“It’s been really good. We’ve had a great summer,” Ms. Knechtel said.

She stated they were busier last year but “still had a really good year” in 2024. Staff haven’t noticed any changes in the restaurant’s clientele.

“Same as usual,” she said.

Cindy Vanderstar, owner of C-Squared Home, Cashmere & Cobwebs, and Second to None on Main Street, said business was good at her stores this summer.

“We have been very busy at all of our stores, and it started much earlier this year with the better spring weather. So we actually went to seven days a week in March rather than May!” Ms. Vanderstar said.

One of the trends she’s noticed this year is an increase in shoppers from other areas.

“Sales are up. Traffic is up. And yes, we are getting a lot more visitors from the GTA, Hamilton, Europe [and the] U.S. We make a point of asking,” she said.

“It definitely seems like Port Dover has been discovered by city folks as a great place to visit that’s within an easy distance. With better weather, great shops and restaurants, and of course the beach and water.”

Seeing unfamiliar customers is important for her stores because “locals are not our core business—80 per cent [is] from out of the area.”

Another trend she’s seen this year and is “thrilled about” is an increase in younger shoppers at Second to None and the vintage section of Cashmere & Cobwebs.

Ms. Vanderstar elaborated on how business differs between her stores. C-Squared Home and Cashmere & Cobwebs share a location at 334 Main Street, which impacts sales, while Second to None has its own space at 335 Main Street.

“Cashmere & Cobwebs has the fashions and the home décor combination, which we are changing. It is a constant draw for folks because they get two stores in one and say they can always find something. We try to choose unique, quality items at the most affordable prices. That reputation is what brings people in.

“Second to None… is a completely different animal. Gals who know their designers and brands are flocking to this store—it has been a destination for many ‘city’ people because our quality, choice and selection are so good. They find ‘treasures,’ they say.

“The theatre has used our fashions for their productions, influencers have promoted us, and we know other businesses are buying from us! It is truly a phenomenon. And they can order online where we have close to 2,000 pieces. This store is expected to explode with our future plans and changes coming,” she explained.

She attributes strong business this summer to promotion, local events, steady hours, and attention to detail.

“We work very hard to promote our businesses. Theatregoers have helped (we are a sponsor of the theatre), lots of beachgoers, the various events like Art in the Park, Canada Day… being open seven days a week is very important during the summer and keeping those consistent hours,” she said.

“And we keep an eye on our mix of products. As well, we sell and promote our online business, which draws in lots of people specifically from outside the area.”

Stephanie Misner, owner of North Shore Soapworks at 359 Main Street, said her first summer with the business has been good and met her expectations “thanks to my great patrons and staff.” She mentioned they’ve made some significant changes at the store.

“It’s been going well. Lots of new things,” Ms. Misner said. “It’s certainly been a learning curve: the name change was a big one, and with that a point-of-sale system, and a new website, [making] online ordering now available.” Online ordering through northshoresoapworks.com has expanded her ability to serve customers.

While a lot has changed at the shop, she suspects customers appreciate that they can still find their preferred products from the staff they know.

“I think people have been pleasantly surprised. I think they were worried things would change but all their favourites and familiar faces are still here,” she said.

Ms. Misner believes Port Dover’s 2024 paid parking arrangement has helped boost business on her block, which she loves being part of.

“I love my block. It’s been a lot of new and exciting things [here]. We certainly help each other. It’s a great little community,” she said.

“And it’s great being a part of the [Port Dover] Board of Trade. It’s such a vibrant downtown. We’re lucky.”

She also loves the local customers who have shopped at her store throughout the year.

“Although we depend on tourism, it’s the locals who keep us going by supporting us all year long. It makes a difference. Shop local,” she said.

“All in all, it’s been a great summer and I’m looking forward to the next six months.”

Lakeside Décor owner Denise Kirby reported a strong summer for her store at 19 Harbour Street.

“Last year was not a good year but this year has been amazing,” Ms. Kirby said. She believes removing paid parking on Harbour Street helped her store “tremendously.”

On April 1, she started a guest book at her store for customers to sign and indicate where they’re from. She said she’s blown away by the variety of visitors she receives.

“I wanted to prove to people that a lot of people come to this town,” she explained. “It’s amazing what they say and why they come here. I find it interesting.”

Her shop has had customers this year from locales around the globe—from Texas to Transylvania. “I’m so happy we did it. It’s been very rewarding,” she said.

“The only thing we’re concerned with is the road and why it needs to be fixed.”

Ms. Kirby opposes municipal plans to make traffic one-way on Harbour Street and widen its sidewalk. In her opinion, those who support the existing plan would change their views if they watched vehicle and pedestrian traffic around her store.

“Why do they have to make it a one-way? Just beautify the pier,” she said. “I think it’ll cause a huge accident down the road if they make it a one-way there.”

She pointed out that many pedestrians walk on the street rather than the sidewalk there and suggested they’ll continue to do so, making sidewalk expansion unnecessary.

“People will still walk on the road; they just don’t use sidewalks. So why spend all this money to expand the sidewalks when people aren’t going to use it?” she said.

“I’m a little concerned about really why they’re doing it. I don’t think it’s going to help the businesses down here, I think that it’s going to hurt them.”

Willie’s co-owner Andrea Cronmiller said, “Business has been decent, but somewhat average,” for the restaurant this summer. Their customers are content with the current parking plan in downtown Port Dover.

“Sales have increased by approximately 4.5 per cent compared to last year, which we attribute to the clarity about the beach being open and the resolved parking situation. With fewer questions and complaints about parking, our customers seem happier and more relaxed,” Ms. Cronmiller said.

Cool conditions have kept some customers away this summer, but they’re optimistic sunnier days are ahead.

“As always, our sales are highly weather-dependent. Unfortunately, August has been cool, cloudy and rainy, which deters out-of-town visitors. Even if the rain doesn’t materialize, a forecast predicting bad weather significantly impacts our foot traffic.

“On warm, sunny days, however, the beach and shops are busy, and many visitors stop by to enjoy a Willie Burger or some Hewitt’s ice cream. We’re hopeful that the rest of August and September will bring more warm, sunny weather.”

Originally published August 28, 2024

Lighthouse Festival Theatre announces 2025 season, curated by incoming artistic director Jane Spence (Intermission Magazine)

By Aisling Murphy | Intermission Magazine

Friday, August 30, 2024

Lighthouse Festival Theatre, located in Port Dover and Port Colborne, has announced its jam-packed 2025 summer season.

Curated by incoming artistic director Jane Spence, the season will feature a blend of genres, including two plays by fan favourite playwright Norm Foster.

“I am absolutely thrilled to join Lighthouse Festival as the new artistic director,” said Spence in a press release. “This theatre has a rich history of bringing exceptional performances to our communities, and I can’t wait to be a part of that tradition. Our 2025 season is focused on making people laugh, and I believe that laughter is a universal language that brings us together, helps us find joy, and creates unforgettable memories.”

The season will open with The New Canadian Curling Club by Mark Crawford, a heartwarming, humorous story about an unlikely group of characters coming together to learn the art of curling.

Next up is The Hound of the Baskervilles by Steven Canny and John Nicholson. The play is billed as a comedic adaptation of Arthur Conan Doyle’s classic mysteries, adding a farcical twist to the world of Sherlock Holmes.

Third in the season is Hidden Treasures by Norm Foster. This show is unique for its two-play structure — each act is its own one-act play, and both halves are performed by the same cast.

After Hidden Treasures is Pinkerton Comes to Prospecta world premiere by playwright Jamie Williams. This western-themed comedy elevates the genre’s tropes to a new level, and is sure to provoke laughs.

Rounding out the season is another Foster classic, Here on the Flight Path, about the quirky inhabitants of a Toronto apartment building.

Single tickets will be on sale starting November 18, with subscription renewals beginning in early September. For more information about the 2025 season, visit the Lighthouse Festival Theatre website


Aisling Murphy is Intermission’s senior editor and an award-winning arts journalist with bylines including the Toronto Star, Globe & Mail, CBC Arts, CTV News Toronto, and Maclean’s. She likes British playwright Sarah Kane, most songs by Taylor Swift, and her cats, Fig and June. She was a 2024 fellow at the National Critics Institute in Waterford, CT.

REVIEW: Sparks fly in Norm Foster’s uproarious Lakefront (Intermission Magazine)

By Janine Marley | Intermission Magazine

Thursday, August 29, 2024

Ever get the feeling you’ve lost your moxie? 

Well, retirees Christina and Robert were feeling that way when they met each other at a wedding a few weeks ago. During the reception, their intoxicated selves concocted an idea to help them get over their respective anxieties. Renting a lakefront cabin seemed like a great idea at the time — but now that they’re sober, they have to go through with it. 

Norm Foster has written a hilarious, truthful story about getting your groove back — or realizing you never lost it at all —  with his new play Lakefront. In its world premiere directed by Jeffrey Wetsch at Lighthouse Festival Theatre, Lakefront is not only a love letter to Canada, but also a love letter to love. 

The premise of the play is simple: Christina (Melodee Finlay) and Robert (Ralph Small) have booked a cabin together at the erroneously named Lakefront Cabins to see if spending a night or two together will help them find their mojo again. Upon arrival, they meet Duane (Derek Ritschel, also the artistic director of Lighthouse Festival Theatre), who’s watching over the cabins for the week while his parents are on vacation. Duane has a habit of popping in at precisely the wrong time, punctuating Robert and Christina’s most intimate moments with a clunky greeting or non-sequitur. But as Robert and Christina open up and start trusting each other, we see the beginning of an interpersonal bond that can survive these grating interruptions.

Foster’s writing is full of wit and humour, as audiences across Canada have come to know and love. With that in mind, Lakefront has a decidedly small-town Ontario flair to it. Jokes about Winnipeg in the winter, curling, and the unyielding boredom of children’s hockey make Lakefront feel like home. From Duane’s habit of barging into the cabin unannounced to the inevitable rush of patrons at the local restaurant on “fruit cup Friday,” Lakefront embraces all the clichés of rural life in the best way possible. It’s fitting that the first run of Lakefront is taking place in Port Dover and Port Colborne, both beautiful small communities that resemble the one in the text. (Except, of course, these ports actually have stunning lakefront views.)

Eric Bunnell’s set design fully embodies the rustic charm of Foster’s script. The warmth of the wooden cabin and stone hearth emanates against the bare, snow-covered trees surrounding the cottage. The trees themselves are unique, too, at times looking more like sign posts than tree branches, and yet their wooden construction aesthetically complements the rest of the set. Kevin Fraser’s lighting, as well, bathes the set in lovely, while the plaid couch and chair add a tasteful amount of Canadiana to the set, matched by the Buffalo checks of Duane’s costumes (designed by Alex Amini). 

Finlay and Small have impeccable chemistry as Christina and Robert. Lakefront starts out steeped in first date awkwardness, complete with delicious tension that ebbs and flows throughout the first act of the play. At the matinee I attended, Small’s delivery of Robert’s more anxious moments caused belly laughs to echo through the theatre; for the first hour or so, Robert is clearly trying so hard to impress Christina, yet none of his tactics seem to work. But as Robert and Christina open up to one another, Finlay gets to relish some of Foster’s funnier one-liners and quips, which when I attended made Small burst out into real laughter several times, adding some real-life zip to Foster’s prescribed dialogue. 

However, it’s Ritschel’s comedic timing that steals the show. Duane has a sweet, slightly oblivious demeanour to his intrusions that makes him immediately loveable — with just a dash of chaos and irritation. 

As a theatre critic based in Toronto and not often exposed to Foster’s work, I found it inspiring to get to spend an afternoon with Canada’s most-programmed playwright — his plays are a pointed reminder that getting older doesn’t have to mean that you’re getting boring or undesirable. There are so many assumptions and fears around aging which have been perpetuated throughout our society, and time and again, Foster’s work proves just how incorrect those preconceptions are. Bring your friend, lover, or maybe even a total stranger, grab your silk pajamas, and settle in for a night of laughs at Lakefront


Lakefront runs in Port Dover until September 7 and in Port Colborne from September 11-22. Tickets are available here.

Intermission reviews are independent and unrelated to Intermission’s partnered content. Learn more about Intermission’s partnership model here.


Janine Marley is an independent theatre reviewer born in Kingsville, Ontario and has been a Torontonian since November 2020. She holds Honours BA and MA Degrees from the University of Windsor in English Language and Literature with her studies primarily focused on theatre. She began acting at a young age and continued acting in productions until 2018. She started her blog, A View from the Box, as a personal project to share her passion for theatre.

Review: Sex and love on the cusp of 70 in Port Dover (The Hamilton Spectator)

Norm Foster and a terrific cast make senior passion dance at The Lighthouse.

By Gary Smith | Special to the Hamilton Spectator

Thursday, August 29th, 2024

Canada’s favourite playwright, the guy who knows mirth-making better than anyone else, has a sweet comedy on his hands.

In our world of increasing tensions, we all need someone like Norm Foster to kick back and make us laugh.

Over the years, Foster has had some heavyweight successes. His comedies, “Here on The Flightpath,” “The Melville Boys” and “The Affections of May,” have been golden.

Ralph Small, left, Melodee Finlay and Derek Ritschel in Norm Foster’s “Lakefront.” | Don Kearney-Bourque photo

This time out, with the world premiere of his comedy “Lakefront” in Port Dover, he’s in a warmer, nostalgic mood.

His characters here are weathered, touched with a tinge of time. Feeling the rush even of “that enemy time,” something Tennessee Williams called the windstorm of regret and a fear of impending mortality.

But 70-year-old Robert and 68-year-old Christina, Foster’s aging risk-takers in “Lakefront,” are not through with life, not by a long-shot. Neither are they past the notion of romance’s soft caress. And maybe, just maybe, they’re ready to kick over the traces and risk a wild weekend together, somewhere nostalgic, like a worn-out old cabin, with its shabby furniture and tasteless orange cushions.

There’s a feel here everything’s tugged from some weather-beaten past. Fringed with dollops of clean white snow resting on its eaves and piled up around its extremities like globs of sugary marshmallow, it’s well, a tad surreal.

Somehow it suggests a world of old love, a world that needs the kindling flame of a roaring flame to ignite stilled passion.

Happily, Foster creates a necessary undertow in his excellent first act of this ultimately sweet and funny play.

Looking for love on the sunny side of 70, his characters are insecure, frightened and lonely. They’re also a tad rambunctious. They may be frightened of where they’re going and what they might do when they get there, but they’re going just the same.

The sadly worn cabin they rent for their tryst is of course a metaphor for the way time erodes everything.

There’s little decoration, faded furniture and a decided whiff of the ‘70s about the place. Those dobs of snow I’ve talked about already stretch across the roof and rest like waves of regret round the outer limits of the flimsy door.

Into this world, Robert and Christina stumble with their pasts as tightly held as their roller bags and shoulder cases. Of course, they’re looking for a second, or is that a third chance at happiness?

They’re likable people, especially in the nicely calibrated, oh so truthful performances from Melodee Finlay and Ralph Small. She’s waifish and vulnerable. He’s bullish and loud. Both are believable for every moment of the first act of Foster’s play.

Finlay has never looked lovelier. She wears her maturity and well, let’s say it, age, like a translucent skin that gives her a slightly fuller frame and more mature appeal.

Over the years, Finlay has starred in a number of plays at Dover, but she’s never been better than right now.

When she walks out of the bedroom door of Eric Bunnell’s weathered old set, hair tousled, eyes lit up like blinking stars, her little shuffle of love, joy and contentment is so endearing you just long to hold her hand and squeeze hard.

Small, who began his theatre career in Hamilton, and about a year ago was so polished and perfect in Sky Gilbert’s wonderful play “Pat and Skee” at Theatre Aquarius, finds such revelatory moments in Foster’s Robert that you ache for his masculine fears about sex, life and the whole damn thing.

You don’t quite want to laugh at his slightly distended paunch wrapped in perfectly outlandish pyjamas, but of course you do. But the laugh is bittersweet, because we know he’s trying so hard to recapture what might be left of his youth.

Together, these two wonderful actors find everything exquisite in Foster’s play and more.

They’re aided and abetted by rubber-faced Derek Ritschel’s comedy turn as Duane, the cabin park’s babysitting factotum.

Ritschel has this role down so well that with every pop-eyed twitch and double take he makes us laugh. It’s not his fault his character simply wears out before the end of the play’s problematic and protracted second act

It is, after all, that second act that’s the problem here. It doesn’t quite equal the authenticity of Foster’s first one. So, the play nosedives into a series of short, awkward scenes that neither flesh out the play, nor its characters. Not even the fine performances, nor the felicitous direction of Jeffrey Wetsch can prevent this happening.

As always, costume wizard Alex Amini has given the characters perfect duds to wear. As always, too, all the production values at Dover are first class.

So, let’s not be churlish, Foster has given us characters to care about and a play worth watching. If “Lakefront” had the power and punch of its first act, right up to its rambunctious curtain call, we’d be dancing out of the theatre on a wave of love.

It doesn’t. No matter. Half a wave is better than none. And Finlay and Small will make you dance anyway, until the final moment, just like some latter day Rogers and Astaire, no matter what they say or do.


Lakefront

Who Lighthouse Festival Theatre

Where 247 Main St. Port Dover and Roselawn Theatre, 296 Fielden Ave. Port Colborne.

When In Dover until Sept. 7 then Port Colborne from Sept. 11 through Sept. 22. Evenings at 8 p.m. most days. With matinees at 2 p.m. some days, Call the box office for details.

Tickets Port Dover, $46 to $51; Port Colborne $45. Students and equity members reduced to $18 at both theatres. For either theatre call 1-888-7703 to purchase.

Gary Smith has written about theatre and dance for The Hamilton Spectator, as well as a variety of international publications, for more than 40 years.

LIGHTHOUSE REVIEW: ‘Lakefront’ ends summer season with hilarity, tender romance (The Haldimand Press)

By Mike Renzella | The Haldimand Press

August 29, 2024

PORT DOVER—It’s been a whirlwind season at Port Dover’s Lighthouse Theatre, with audiences enjoying an impressive lineup of comedy, drama, and musical theatre, all leading up to the season-ending world premiere of famed playwright Norm Foster’s latest creation, ‘Lakefront.’

Helmed by long-time performer but first-time director Jeffrey Wetsch (who will be familiar to Lighthouse regulars for his performances in recent shows ‘Sugar Road’ and ‘A Pack of Thieves’), the play stars Melodee Finlay and Ralph Small as Christina and Robert, a pair of downtrodden seniors who meet at a wedding and through the haze of wine decide to spend a wild weekend together at a cabin in the woods, to see if they can find a spark of the old romance both have been missing.

Joining them is Lighthouse Artistic Director (AD) Derek Ritschel as Duane, the hapless caretaker of the cabin. The show marks the finale of Ritschel’s term as AD, with him stepping into a new role, Director in Residence, as new AD Jane Spence takes over in his stead.

The show is a fantastic spotlight for Ritschel, who gives a showstopping comedic performance, cracking the audience up nearly every time he appears on stage. His Duane is a comedic creation for the ages, equal parts oblivious and earnest. 

Finlay and Small make for a lovable pair with a realistic chemistry. You believe that these two people might find themselves in just such a situation, and their honesty in addressing the awkwardness of their predicament head-on is refreshing and delightful to watch unfold. Both have arrived at the cabin for their own reasons; some that line up, and some that don’t. Witnessing the pair navigate the tricky road toward their inevitable rendezvous is just straight up fun.

Wetsch creates a great aesthetic, with the rustic look of the cabin just right, and the cool blue lights illuminating the exterior of the set setting a perfect mood for the unfolding story. The show is staged lively, with the three characters constantly moving around the stage, exiting and entering at the most inopportune moments for maximum comedic impact.

Beyond the show’s impeccable comic timing, the relationship of the two main characters unfolds in a gentle and not overly dramatized fashion. Don’t expect sweeping dramatic gestures here, but sometimes a warm cup of tea means more than all that – and this show is very much that warm cup of tea that all theatregoers crave, especially as we see the horizon starting to set on another summer and the promise of cooler weather ahead.

Foster’s latest script brings all the trademarks his fans have come to know and love. Quick dialogue and mile-a-minute jokes unfolding in a rural setting? Check. Foster’s shows play in theatres across Canada each year for good reason. They promise a warm, easy-going experience full of authentic laughs and heart. 

‘Lakefront’ is yet another fine addition to his library and will surely delight any and all who take the trip out to catch a showing. 

Following the curtain call at the show’s premiere last Thursday, Ritschel was given an enthusiastic round of applause from the audience for his 14 years in the AD’s seat. 

Ritschel has been heralded for helping to save both the Lighthouse and Roselawn theatres and transforming Lighthouse into a cornerstone of the artistic community in southern Ontario. In those years, he produced 17 world premieres, with ‘Lakefront’ marking his final.

The show plays in Port Dover until September 7 before heading out to Port Colborne’s Roselawn Theatre from September 11-22. For showtimes and to purchase tickets, visit lighthousetheatre.com or call 1-888-779-7703.

That’s not all from the Lighthouse team, however, as they will present their season-topping musical performance ‘Memphis to Motown’ from September 10-28, bringing the music of legendary artists including Otis Redding, Smokey Robinson, The Temptations, and more to the stage. Then, this holiday season they will raise the curtain on their second annual holiday pantomime, with this year’s performance having fun with the children’s classic ‘Cinderella’.


After studying journalism at Humber College, Mike Renzella desired to write professionally but found himself working in technical fields for many years. Beginning in 2019 as a freelancer, he joined the team full-time later that year. Since then, Mike has won several awards for his articles thanks to his commitment to presenting an unbiased, honest look at the important news and events shaping our community.

REVIEW: Lakefront At The Lighthouse Theatre (Ontario Stage)

By Kelly Monaghan | Ontario Stage

Wednesday, August 28, 2024

With Lakefront, now enjoying it’s world premiere at Port Dover’s Lighthouse Festival Theatre, the prolific Norm Foster is proving that oldsters can be just as romantic – and funny – as the younger couples he has been writing about for decades.

“Write what you know” is timeless advice for writers, so it’s perhaps no surprise that as he himself ages Foster is creating more main characters who are in or approaching their “golden years.” His recent Whit’s End had great fun with a widower’s clumsy attempt to introduce his new love interest to his adult children.

Lakefront is even better and the central characters even older.

As the play opens, an older couple, Christina (Melodee Finlay) and Robert (Ralph Small), are being shown into their room at a modest country resort, the Lakefront of the title, by Duane (Derek Ritschel), the goofy son of the resort’s owners who are on holiday.

Christina and Robert are both single; she divorced, he dumped by a faithless wife. They met at a wedding at which the happy couples being united in holy matrimony had been married and divorced several times. Foster seems to be alerting us that relationships can be an iffy proposition.

During a boozy conversation at the reception, they came round to pondering the thorny question of whether folks at their age (she 68 and he 70) could still be attractive to the opposite sex. They decided to find out.

And so here they are at Lakefront resort in February. Now sober, they are bit apprehensive as to whether or not this was such a great idea.

For two hours Foster has a great deal of fun helping them find out.

Robert is especially concerned about … you know … the “man thing.” Christina says she doesn’t really care about sex.

But it isn’t too long before the too-thin walls of their Lakefront cottage are shaking with Christina’s moans and shrieks as Robert demonstrates his prowess at giving her what every women secretly wants – a really great foot massage.

And so it goes as Lakefront meanders around the will-they-won’t-they question, which in true Foster fashion is neatly and quite satisfactorily answered by play’s end.

Their courtship, if that’s what we can call it, is regularly interrupted by visits from Duane, one of Foster’s most inspired and wildly comic creations. Duane develops a definite attraction to Christina that would be kinda icky if it wasn’t so innocently inane.

Director Jeffrey Wetsch has orchestrated all of this admirably and drawn very funny and, yes, touching performances from his two leads. Finlay makes Christina an alluring mixture of hesitancy and self-assurance. The way she needles Robert about what she sees as his silly concerns about “the man thing” is delightful.

For his part, Small brings a quiet decency to his portrayal of Robert as he frets over his kissing technique. Refreshingly, no “intimacy coach” is credited.

Ritschel, whose day job is being artistic director of the Lighthouse Theatre, damn near steals the show as Duane. He’s hysterical.

Set designer Eric Bunnell has provided what struck me as a photographic reproduction of a similar lakefront cabin on Manitoulin Island where I once stayed. It’s perfect. Costume designer Alex Amini, who has been doing such sterling work at the Foster Festival this year, has created wonderfully witty costumes. Where on earth did she find Robert’s silk pajamas?

Lakefront is another winner from the fertile pen of Norm Foster and well worth the schlep to the shores of Lake Erie. If you can’t make it I have no doubt that Lakefront, like most of Foster’s work, will have an extensive afterlife.

Foster is often called “Canada’s Neil Simon.” The salient difference is that Simon’s natural milieu was Broadway. Why, pray tell, hasn’t Foster been taken up by the giants of Canadian theatre?

Lakefront continues at the Lighthouse Festival Theatre in Port Dover through September 7, 2024. It then transfers to Lighthouse’s Roselawn Theatre in Port Colborne, ON, from September 11 to 22, 2024. For more information and to purchase tickets, visit the Lighthouse Festival Theatre website.


For Immediate Release: Lighthouse Festival announces their 2025 Summer Season with productions curated by incoming Artistic Director Jane Spence

Upcoming season is strongly focused on laughter with hints of mystery, adventures by new Canadians, and western themes.

Lighthouse Festival is thrilled to announce its highly anticipated 2025 summer season, featuring a dynamic lineup of productions that promise to entertain, engage, and bring plenty of laughter to audiences. The new season will showcase a delightful mix of comedy, mystery, and heartwarming stories, all carefully selected to offer something special for every theatre lover.

The 2025 season will include the following productions:

  • The New Canadian Curling Club by Mark Crawford
  • The Hound of the Baskervilles by Steven Canny & John Nicholson
  • Hidden Treasures by Norm Foster
  • Pinkerton comes to Prospect by Jamie Williams
  • Here On the Flight Path by Norm Foster

Taking the helm for her inaugural season is incoming Artistic Director Jane Spence, who brings a wealth of experience, enthusiasm, and a deep love for the arts to Lighthouse Festival.

“I am absolutely thrilled to join Lighthouse Festival as the new Artistic Director,” says Spence. “This theatre has a rich history of bringing exceptional performances to our communities, and I can’t wait to be a part of that tradition. Our 2025 season is focused on making people laugh, and I believe that laughter is a universal language that brings us together, helps us find joy, and creates unforgettable memories.”

Incoming Artistic Direct of Lighthouse Festival, Jane Spence.

The season will open with Mark Crawford’s The New Canadian Curling Club, a heartwarming and humorous story about an unlikely group of characters coming together to overcome adversity, band together as a team, and learn the art of curling. This play is a celebration of Canada’s multicultural spirit and small-town communities, perfectly capturing the heart and humour that Canadian audiences love.

Next, audiences will be treated to a hilarious and inventive adaptation of Arthur Conan Doyle’s classic mystery, The Hound of the Baskervilles. Written by Steven Canny & John Nicholson, this fast-paced, farcical take on the Sherlock Holmes mystery is sure to keep everyone on the edge of their seats while delivering plenty of laughs.

The season continues with Norm Foster’s Hidden Treasures, a special presentation that is a unique and thrilling theatre experience – two Norm Foster plays back-to-back! Each act is a one-act play by this renowned Canadian playwright. During intermission the cast and set seamlessly transition from one play to the next. For Act One, My Narrator asks you to imagine what would happen if that little voice inside your head – the one that tells you how to behave and what choices to make – suddenly took on a life of its own? For Lacy and Miles, love is what happens, and with hilarious results. In Act Two, The Death of Me sees John bargain with the Angel of Death for a second chance at life. He quickly discovers that fixing the mistakes of your past is difficult, and that perhaps his destiny is not yet etched in stone.

Jamie Williams’ world premiere of Pinkerton comes to Prospect is a western-themed comedy that takes mistaken identities and six shooters to a new level! Follow along as young surveyor Herchel Penkerten is unwittingly dragged into his new town’s sordid past. Complicating the whole mess is Doc and Amos, who are just trying to save their own necks. Will Herchel win the heart of Miss Lacey, or will he end up hanging from a tree? And who’s to say which option is better!

Rounding out the season is another Norm Foster classic, Here On The Flight Path. This play, a comedic exploration of love, life, and the quirky characters who inhabit a Toronto apartment building, is a perfect example of Foster’s talent for capturing the humour in everyday life.

“I believe that theatre is a place where we can come together to laugh and experience something truly special,” says Spence. “This season is all about connection and community, and I can’t wait to see everyone in the theatre, sharing in these wonderful stories.”

Spence’s vision for the 2025 summer season is rooted in her passion for creating experiences that resonate with audiences long after the lights have come up. With a dynamic selection of plays, the season promises to deliver a memorable summer filled with laughter, joy, and a few surprises along the way.

Single tickets for the 2025 summer season will be on sale November 18th, with subscription renewals underway in early September. For more information, visit www.lighthousetheatre.com or contact the box office at (888) 779-7703.

About Lighthouse Festival
Lighthouse Festival is a charitable organization devoted to the development and production of new and existing Canadian plays. Lighthouse Festival strives to be artistically excellent, support and encourage local and regional artists, and be a source of enjoyment and pride in local communities while promoting local tourism. Located in two beautiful towns on Lake Erie, our theatres operate on a central policy of hospitality, accessibility, and affordability for all.


Media Contact
For media inquiries and further information, please contact:

Don Kearney-Bourque
Marketing & Communications Manager
Lighthouse Festival Theatre Corporation
don@lighthousetheatre.com
Direct: (226) 290-0070
Cell: (289) 541-7410


Review: Norm Foster’s “Lakefront” Has World Premier on LFT Stage (Port Dover Maple Leaf)

August 23, 2024

Port Dover Maple Leaf

By Donna McMillan

“Lakefront”, a new play by Canada’s iconic and prolific playwright Norm Foster had its world premier on the Lighthouse Festival Theatre stage in Port Dover last week, receiving a standing ovation from its’ opening night crowd.

Foster, who has written more than 70 plays and been the most produced playwright in Canada every year for the past twenty years, averages 150 productions on stage annually, according to Playwrights Canada Press.   A favourite playwright with Port Dover audiences, “Lakefront” tells the rom/com story of Christina, 68, and Robert,70, meeting at the third wedding party of her sister Norah just the week before.   Having a bit much to drink and feeling lonely and insecure about their sex appeal to the opposite sex, the couple make a madcap decision to rent a lakefront cottage the following weekend and test the intimacy waters.   So, what could go wrong?

Pretending they are married, Robert books the one and only honeymoon cabin  on a lake that has receded off into the distance thanks to climate change; not exactly the view the 20- year -old brochure depicted.   And then, there is Duane, who is managing the property for his parents.  He is the backwoods comic foil, sometimes scene stealer, who is happy to show the “shitter” in the cabin, interrupt the “newlyweds” at the most inconvenient of times, cite the noise ordinance when Christina’s orgasmic – like screeching was heard at neighbouring cabins and mooning over the “bride” as the couple attempt to enjoy a wild weekend.

Christina’s deceased husband suffered a debilitating stroke, requiring constant care for several years before he died.   She is still dealing with her guilt over the resentment she felt over the years his care took away from her.   Bob’s wife Tess has been “dead to him” for the past three years after she dumped their marriage of 30 years for a much younger man.   In every play, Foster injects moral issues and matters that tug at the heart strings.  Besides their troubled separate histories, the couple struggle with first kisses, a failure to rise to the occasion in the bedroom and more; needless to say, generating lots of laughs.

All three actors are stellar in their roles.  Melodee Finlay, a LFT veteran, plays Christina superbly.   Besides performing in eight past LFT productions, she has performed at many theatres across the country, in commercials and hosted “A Day in the Country” and “New Home Digest.”   Ralph Small, another LFT veteran, performed the insecure, nervous Robert marvellously.  Besides performing in five past LFT plays and directing one, he also has performed at numerous theatres throughout Ontario.   Occasionally the dialogue in the play would drag a bit, but then Duane came knocking and generated more moments of hilarity.   The audience burst out laughing every time Derek Ritschel as Duane barged into the scene.   As the audience knows, he has been Artistic Director of the Lighthouse   for the past 14 years, directed 31 main stage productions and performed in numerous LFT plays. 

Set Designer Eric Bunnell created a wonderful cabin in the woods on stage.    Kudos to the entire Creative Team: Kevin Fraser, Lighting Designer; Alex Amini, Costume Designer; Daniele Guillaume, Stage Manager; Sara Allison, Assistant Stage Manager.

During the standing ovation Thursday, Derek Ritschel was left (uncharastically) speechless when he was honoured for his 14 years as Artistic Director, the saving of two small theatres, the building of the rehearsal hall, the offering of 17 world premieres, the upgrading of technical theatrical infrastructure, introducing the holiday pantomime and more. He has put Lighthouse Festival and Port Dover on the theatre map.   Derek will be assuming a role as Director in Residence.   Jane Spence will assume the role of Artistic Director.   On leaving the theatre, comments included “wonderful performance” and “delightful production.”   “Lakefront” is on stage in Port Dover August 21 to September 7.   For tickets, visit the box office at the corner of Main and Market, online at www.lighthousetheatre.com or call 519 – 583 – 2221.