Tag: lighthouse festival

Review – Murder, mystery, big laughs highlight Lighthouse’s best show of the season

This review of The Real Sherlock Holmes was originally published in The Haldimand Press on September 8, 2022

By Mike Renzella

The Haldimand Press

PORT COLBORNE—If you’re looking for an evening of non-stop hilarity, wrapped around an entertaining old-fashioned murder mystery, then look no further than Lighthouse Festival’s world premiere of the new play The Real Sherlock Holmes.

This play is a true showstopper, with the wizards at Lighthouse turning an incredibly versatile set into a wide variety of locations, including laboratories, Scottish castles, a stormy sea at night, a prison cell, and more. Utilizing dazzling lighting and sound effects, the work is remarkably seamless, creating the illusion that you are travelling across the countryside along with the main characters as they chase down a murderer.

Canadian playwright Peter Colley knows how to blend comedy and menace with near surgical precision. While the show features several over-the-top characters meant to draw big laughs, the central mystery at its core remains interesting throughout, and has a great twist ending.

The story focuses on a young Arthur Conan Doyle, long before he created the iconic Sherlock Holmes, as a young medical student who gets drawn into a murder investigation thanks to his instructor, Professor Bell. Jeff Dingle as Doyle and David Rosser as Bell have a terrific chemistry right from the first scene, with their interactions playing out like scenes from a classic British sitcom. 

Their investigation leads them to the doorstep of Lady Louisa and her relative Jenny, played by Susan Johnston-Collins and Blythe Haynes respectively. Along the way they meet a rogues’ gallery of characters, deftly brought to life by a small cast of actors handling multiple roles. The acting chops on display across this range of broad side characters makes for excellent comedy. Each time an actor appears as another, even more outlandish character, the resounding bouts of laughter from the crowd grew larger and more sustained.

Nicole Wilson shines in multiple roles as a mysterious hag, a morgue attendant, and more, while both Alan Cooke and Mark McGrinder repeatedly appear as a series of recurring characters, each completely distinct and with their own set of hilarious tics. Honestly, it’s an acting showcase that needs to be seen in person to fully appreciate.

It’s ultimately up to Dingle as the young, intrepid Doyle to anchor the show and keep the narrative momentum flowing. He is able to imbue the famous author with a nervous energy that fits the story perfectly, serving as a perfect straight man to the madness unfolding around him. Pulling from research on Doyle, the character is presented as highly susceptible to mystical elements, such as ghosts, selkies, and other creatures of folklore – something that allows the play to achieve a certain otherworldly charm as Doyle occasionally encounters what he believes to be apparitions or fantasy creatures.

After playing to sold out audiences at the Lighthouse Theatre in Port Dover, the show is now playing at the Roselawn Theatre in Port Colborne through September 18. If you like to laugh, The Real Sherlock Holmes will give you exactly what you want, enough belly laughs to keep you entertained from beginning to end, and enough technical wizardry on display to leave you dazzled. What are you waiting for? Go get your tickets and enjoy the show!

Show Review: The Real Sherlock Holmes is an elegant first-rate production that will make you laugh

Allan Cooke, Jeff Dingle and David Rosser in The Real Sherlock Holmes | Director: David Nairn, Set: William Chesney, Lighting: Wendy Lundgren, Costumes: Claudine Parker,

This show review by Gary Smith was originally published in The Hamilton Spectator on August 27th, 2022.

So, just who is “The Real Sherlock Holmes”?

Fans of the legendary fast-talking sleuth, know he sprang from the fertile imagination of feisty Sir Arthur Conan Doyle.

Or did he?

Did the deerstalker detective have a different provenance? Did someone influence Conan Doyle’s penning of all those dark-hearted Sherlock mysteries? Did “The Hound of the Baskervilles” and “Sherlock’s Last Case” really spring from Conan Doyle’s fertile brain without assistance?

If you don’t know you need to go to the Lighthouse Festival Theatre in Port Dover. That’s where lean and lanky actor Jeff Dingle spills the beans, as he trots across the Dover stage in search of adventure and romance.

Dingle, a terrific Conan Doyle, has exactly the right sense of style and pace to make this spirited Peter Colley comedy work.

He knows the perfect way to send up the drama, give the comedy a sly twist and create comic moments of perfect silliness. Dingle is aided and abetted by a smooth and smug Professor Bell from actor David Rosser.

Together this agreeable partnership gives this lunatic adventure story a sense of tremendous fun and wide-eyed innocence.

Add to the mix, wonderful Hamilton actress Susan JohnstonCollins who gives haughty and imperious Lady Louisa a perfect twist of sour lemon. JohnstonCollins is capable of controlling a scene when she’s simply standing around, artfully dabbing her nose with her always handy lace hankie. Or even better, lifting those incredibly arched eyebrows in mortal disdain.

These three actors, light up the Dover stage, dominating Colley’s play with intentionally elevated acting that makes their performances linger in the imagination long after the baddies are carted off to jail and Conan Doyle, not yet a Sir, kisses sweet little Jenny, (Blythe Hanes) who gives his crank an American twist. 

A terrific set from William Chesney is evocative and imaginative

with its several levels and hidden pop-out surprises, it is a perfect landscape for the play’s nefarious goings-on.

Then too, Claudine Parker’s lived-in costumes have just the right touch of cheesiness about them to suggest old-time melodrama.

Add Wendy Lundgren’s mood-drenched lighting and you have a sense of mystery.

Mark McGrinder and Allan Cooke, playing an assortment of outrageous characters, from a fiendish bagpipe player to a One-Eyed Old Salt of the Sea, tend to veer somewhere over the top, but my goodness they do make you laugh.

To read the full review please click this link to visit The Hamilton Spectator website

Introducing Tip Of The Iceberg

Just because summer is on the way out doesn’t mean the laughs are stopping at Lighthouse Festival. We are thrilled to welcome patrons back to the theatre this November with our first ever fall production; the world premiere of Tip Of The Iceberg. Written by three playwrights based out of Norfolk County as part of Lighthouse Festival’s Play Development Program, Tip Of The Iceberg is a story of friendships. It’s filled to the brim with original folk music woven into the production and guiding the story along in a unique way. It projects an inspiring message of “It’s not too late.” Above all, it carries the Lighthouse Festival banner forward with a Canadian sense of humour that patrons know and love.

Tip Poster
Tip Of The Iceberg plays this November at Lighthouse Festival

Show Synopsis

Gordon and Archie are lifelong friends born and raised in a remote Newfoundland fishing village. After a lifetime on the seas, they are surprised tourism has become the main industry in their sleepy town. Rich tourists are paying big bucks for an authentic NFLD experience and Archie believes he has hit upon an idea where they can reclaim their youth and make a fortune off the flocking tourists. All he needs is his friend, a boat, an iceberg, and a little bit of luck.

About Tip Of The Iceberg

In the summer of 2019, Lighthouse Festival’s Artistic Director, Derek Ritschel, was approached by three aspiring playwrights from Norfolk County: Chris Rait, Mark Williams and Jeannine Bouw. The three had a rough draft of a script they were writing: a story concept created by Chris Rait, injected with some of Jeannine’s comedy and Mark’s authentic Newfoundland homegrown stories to anchor it.

“We’d have a glass of wine and Mark would start telling a story and I would type as he would talk.” – Jeannine Bouw

Having never previously written a play, the three approached Ritschel with a first draft hoping for some simple advice and pointers. That’s not what happened though. Instead, Ritschel was so impressed with the story and their ideas that the three friends were ushered in under Lighthouse Festival’s Play Development Program.

“We asked Derek if he could just humour us and read the play for feedback as a favour, the next thing we know we get a call from Derek asking if we can come into his office.” – Chris Rait

Derek’s involvement led to a second draft of the story and a professional table read at the Tarragon Theatre in Toronto with actors Sam Rosenthal, David Rosser, and Ralph Small. Three years full of countless rewrites, edits and compromises between the playwrights has since passed to fine tune the show. Now, Tip Of The Iceberg is ready to make the Lighthouse stage it’s home. While full of original music, fun and laughter, the writers hope a strong message comes across to the Lighthouse audience.

“These are two men; their best days are behind them. But at the same time, throughout the play the audience and the characters come to the realization that it’s not all said and done yet. There are new doors to open, there’s new avenues to travel. You can move on; you can move forward. There’s still a lot of fun to be had.” – Mark Williams

“I want someone leaving the theatre going ‘I haven’t played my guitar in like 20 years; I want to go home and do that tomorrow. I want to try gardening, or I want to go to Mexico.’” – Chris Rait

Lighthouse Festival has been a part of the fabric of Norfolk County since the 1980s’ and now the Niagara Region for the past decade and is absolutely thrilled to support aspiring local playwrights in the development of their stories.

“To be able to say we wrote a play, and had it preformed, and we’re from Norfolk County, and it opened at Lighthouse Festival. That’s a big source of pride.” – Mark Williams

Tip Of The Iceberg

Written by Chris Rait, Mark Williams and Jeannine Bouw | Music by Chris Rait
Port Colborne Run – November 9th – 13th
Port Dover Run – November 16th – 26th

Show Review: ‘Halfway There’ is Norm Foster at his most beguiling

This show review by Gary Smith was originally published in The Hamilton Spectator on July 8th.

Want to laugh until your sides ache? Want to cry until your heart breaks?

Want to see Canada’s most prolific playwright at the very top of his game? Want to see a cast committed to theatre as a place of moving and insightful entertainment?

OK, so enough with the questions.

Go grab your favourite device and book seats for “Halfway There.” This wonderful Norm Foster comedy, with its sly comic invention and generous dollop of truth, is one of the best things I’ve seen all year. That includes Broadway, London’s West End and the Stratford Festival.

It’s in Port Dover at The Lighthouse Festival Theatre, the home of Canadian theatre comedies. But oh my, it’s so much more than you might think.

Some years back Foster wrote a play about male bonding called “The Foursome.” Well, now he’s done something even more winning.

With “Halfway There,” he’s written a rueful, first-rate love story about women. I don’t think anyone’s done this sort of thing better.

It’s “Steel Magnolias,” “Morning’s At Seven” and “Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean” all rolled into one. Except for one thing special. It’s uniquely Foster in every possible way.

Laughs, and believe me there are dozens and dozens of them, punctuate some of the warmest and loving moments I can remember on a stage.

Yet, these whoppers that make you laugh until you can’t take it anymore never encroach on the humanity and the truth of the play. Foster’s characters grow naturally out of a series of crises and challenges that face Rita (the wonderful Susan Henley), Vi (the irrepressible Debra Hale) and Mary Ellen (Melodee Finlay, one time Queen of Port Dover Lighthouse comedies, who is happily back with a vengeance).

These three lovable women are a triumvirate to reckon with. Their performances bristle with a kind of exquisite energy and truth that radiates from the stage like a warm hug and a great big kiss. These three friends face the losses in their lives with a will to shrug off sorrow and the strength to hold on tight to what makes them strong. They are so real you want to join their group hugs on stage, grab their hands and take them all out for a drink and a fish fry at Dover’s vintage Erie Beach Hotel.

They aren’t the centre of the story here, but they are the steamrolling heart of Foster’s wonderful play. They are what gives it its joy, laughter and tender moments of female bonding, moments that transcend life’s sometimes awkward and painful annoyances.

We are in a little diner in Stewiacke, Nova Scotia. That’s the place that is halfway to the North Pole. Now you get the play’s title, right? But that’s only a small part of what it really means. More about that later.

Into this evocative spot — where waitress Janine Babineau, played smartly by Kristen Da Silva, dreams about finding real love and a hold on life — walks handsome Sean Merritt, who’s terrific as a visiting doctor in town for a month or two, working at the local hospital. And isn’t he just about perfect in a quiet, no-nonsense way.

Just maybe, he’s what Janine is looking for, someone to give her life meaning.

To read the full review please click this link to visit The Hamilton Spectator website

Finding love on the side of Sugar Road

This show review by Gary Smith was originally published in The Hamilton Spectator on May 24th.

There is a wonderful moment early in the second act of Kristen Da Silva’s comedy “Sugar Road.”

A country and western singer has just sung a sweet song to the woman he knows he loves more than the screaming fans who crowd the edge of his stage.

Suddenly, a string of stars twinkles in the evening sky and a full and luminous moon winks down on the oh so romantic scene. And that’s it, the precise moment when all the hilarious nonsense going on in Da Silva’s seductive comedy gives way to what we suspected all along.

Handsome Jesse Emberly, the sort of guy who writes romantic hurtin’ songs, has fallen for Hannah Taylor, the Sugar Road Amusement Park owner who remains tethered to a tragic love affair that haunts her past.

Not her own past, you understand. It’s the past of her mother, who, like Hannah, fell for a restless cowboy singer, not unlike poetic Jesse and was burned by the sting of regret.

This is the aha moment, the nanosecond when we know for sure, what we’ve suspected all along. Hannah and Jesse ought to belong to one another. And so, here we are rooting for these frightened, star-crossed lovers, who are frightened to find a path of compromise and trust that will allow them to walk together into a touching golden sunset at the end of Da Silva’s delightful comedy.

Certainly, Hannah and Jesse, as imagined by playwright Da Silva are warm and vulnerable human beings. More importantly perhaps, they’re played with sensitivity and charm by Elana Post and Jeffrey Wetsch that radiates across the multihued amusement park setting of designer William Chesney. Each of these actors helps to create an oasis of sanity in a comedy that often explodes quite frenetically, shaking the rafters of The Lighthouse Festival Theatre with laughter.

To read the full review please visit The Hamilton Spectator website

Lighthouse Festival donates $30,000 worth of tickets to community organizations.

Lighthouse Festival has wrapped up a donation campaign that saw $30,000 worth of complimentary tickets given to fellow non-profit and charitable organizations throughout the Norfolk County and Port Colborne area. 

“It’s been talked about to no end, but the fact remains that the pandemic was rough for so many in our community,” shares Lighthouse Artistic Director, Derek Ritschel. “Businesses, families, individuals, everybody. Lighthouse is fortunate that we have such a passionate and dedicated base of supporters that helped us navigate the past couple of years. And now that we’re looking at our first full season at the theatre in over 30 months, we wanted to support the communities that show us so much support. We’re so proud to operate in Norfolk County and Port Colborne.” 

Lighthouse is doing what they do best, providing a “leave your worries at the door” night out on the town with some first rate, professional comedy theatre. But this year those who might not have been able to attend can take in a show compliments of Lighthouse. “We wanted to get these tickets to those that would have not been able to go otherwise,” shares Ritschel. “What we do at Lighthouse Festival really is for everybody, and laughter is good for the soul. We hope they can enjoy a show this summer on us, and experience the joy of theatre.”

Organizations that received complimentary tickets this summer include:

  • Big Brothers Big Sisters of Grand Erie
  • Big Brothers Big Sisters of Oxford County 
  • Community Living Access
  • Simcoe Caring Cupboard 
  • Port Cares
  • Port Dover Food Bank
  • Waterford Food Cupboard 
  • Youth Unlimited Norfolk