Tag: port dover

Review: This Hound is no dog: Lighthouse Festival’s comic take on Conan Doyle barks

This is the second time in three years that Lighthouse Festival Theatre has included a Sherlock Holmes play as part of its season.

By Gary Smith | Special to the Hamilton Spectator

Saturday, June 28th, 2025

Andrew Scanlon, Sweeney Macarthur and Jonathan Ellul in Lighthouse Festival’s 2025 production of “The Hound of the Baskervilles.” | Photo Credit: Aidia Mandryk

The great Sir Arthur Conan Doyle is no doubt spinning in his grave.

The master of moody mystery surely never intended his dark and demonic work about a howling hound to give voice to peals of exuberant laughter. Death on the English Moors cloaked by fog and fear is surely more what this 19th-century author had in mind.

No matter, Sir Arthur and his fearsome Baskerville Hound are served up by British playwrights Steven Canny and John Nicholson in a boldly comic vision that is sending audiences home happy.

In a slam-bang Lighthouse Theatre production, directed with style and intentional hambone histrionics by Derek Ritschel, you might wonder if the essence of Sir Arthur’s frightening tale survives in this arc of fresh new laughter.

Mostly, I’d say yes, though the original story does get somewhat lost in the non-stop silliness.

There’s plenty of gratuitous humour, for instance, of a pretty flimsy kind. If you think seeing a man shuffling across the stage in his underwear, trousers around his ankles is hilarious, this one’s for you.

If you think a man with a beard, wearing a dress and seductively flapping a fan is the height of comic invention, you just might laugh yourself silly.

You get the picture. The comedy here is of a British pantomime level that’s aimed at adults rather than children.

Don’t look for witty repartee; this Hound doesn’t run to that. But if you can satisfy yourself with bombast and visual high jinks, you just might have a swell time.

Sweeney Macarthur and Andrew Scanlon in Lighthouse Festival’s 2025 production of “The Hound of the Baskervilles.” | Photo Credit: Aidia Mandryk

Director Ritschel keeps things in perpetual motion and his skilful cast of three makes the 17 characters they play entertaining.

Thank heavens for these mitigating factors. The pace of the shenanigans here suggests perpetual motion. There’s no time to stop and question the ridiculous goings on.

If you are a fan of Sherlock Holmes mysteries, however, you might not enjoy seeing this classic one sent so far up the comedy scale. You might not be so willing to suspend annoyance with the way Arthur Conan Doyle’s play has been frantically massaged in this comic version that kids the pants off everything.

If, however, you’re willing to play along, three fine actors with handsome pedigrees will make you woof with laughter.

In truth, these guys work like dogs to make this Hound bark. All three actors have terrific credits with major international theatres, and they work here like some finely oiled machine that keeps right on ticking through multiple costume changes and physical action.

Andrew Scanlon is wily Sherlock Holmes, imbuing the character with appropriate ego and panache. Jonathan Ellul is his canny Watson, trying to be in charge, even when we know he’s clearly not. And Sweeney Macarthur plays Sir Henry Baskerville with bravado and style.

Of course, all three have fun with the other rambunctious characters who turn up on the Lighthouse Festival stage. It would be wrong to spoil your fun by telling you who they are. If you want to know you’ll have to head to Port Dover, or Port Colborne, to find out.

Set designer William Chesney’s suggestion of the play’s multiple settings is definitely more functional than inspired. Its parameters also forced Ritschel’s staging too frequently to the stage right side of the theatre. There was a blandness to the look of this production that is unusual for Chesney, who is normally a designer of great style. Similarly, Emerson Kafarowski’s lighting failed to suggest vital mood and atmosphere.

This is the second time in three years that Lighthouse Festival Theatre has included a Sherlock Holmes play as part of its season. Last time it was Canadian playwright Peter Colley’s “The Real Sherlock Holmes” that brought Sir Arthur Conan Doyle, the creator of the sleuth in the deerstalker hat, to Port Dover in a play that posed some interesting thoughts about how Holmes came to be such a quintessential character.

Of course, the old black and white films starring Basil Rathbone and the TV series with elegant Jeremy Brett inhabiting the heart and mind of Holmes still remain perfect Holmes nostalgia.

I don’t think anyone has come up with such an outrageous spoof about the man with the pipe and the big time ego, as Canny and Nicholson have with their slapstick take on “The Hound of the Baskervilles.”

So, is this “Hound” a dog? Not if you like comedy that chases its tale to make you laugh.

Opinion articles are based on the author’s interpretations and judgments of facts, data and events. More details

Gary Smith has written about theatre and dance for The Hamilton Spectator, as well as a variety of international publications, for more than 40 years.

Review: Sherlock Holmes on the hunt for hilarity in new adaption of classic ‘Hound of the Baskervilles’ (The Haldimand Press)

By Mike Renzella | The Haldimand Press

June 26, 2025

PORT DOVER—Pictured on ‘The Hound of the Baskervilles’ set are (l-r) Sweeney MacArthur as Sir Henry, Andrew Scanlon as Sherlock Holmes, and Jonathon Ellul as Watson. —Submitted photos.

PORT DOVER—Hijinx are afoot, a murderous hound is loose on the moors, and a steady stream of laughter awaits all who join world famous detective Sherlock Holmes and his dimwitted assistant Watson as they uncover the mystery of the supernatural beast at the centre of The Hound of the Baskervilles.

While many are likely familiar with the classic mystery written by Sir Arthur Conan Doyle, which revolves around the death of Sir Charles Baskerville – allegedly murdered by a spectral hound on the moors of the English countryside – it’s unlikely you’ve seen a version quite as unpredictable and laugh-out-loud funny as the one currently gracing the stage at Lighthouse Festival Theatre, the second show of their 2025 summer series.

Scriptwriters Steven Canny and John Nicholson originally wrote the play 20 years ago and have returned to revise it routinely as the show travels the world following its initial run in London, England.

With a cast of just three, ‘Baskverville’ is a fast-paced, madcap romp that never takes itself seriously for a second, instead gifting audiences with the sublime comic trio of Jonathan Ellul as Watson, Sweeney MacArthur as Sir Henry Baskerville, and Andrew Scanlon as a scene-stealing, larger-than-life comedic version of the world’s most famous detective.

As Sir Henry, MacArthur brings a hapless boy energy to the role of the last remaining Baskerville, fresh off the boat from Canada to inherit his family’s estate following his uncle’s death. 

Despite the alleged hound out to murder him, Sir Henry must constantly be thwarted in his attempts to cross the moors to see his love Beryl Stapleton (played by Scanlon, scoring big laughs in one of several additional roles he plays).

As Watson, Ellul is wonderful, playing Holmes’ trusty sidekick as an oft-bewildered, out-of-his-depth, would-be detective. His chemistry with Scanlon is great, batting jokes back and forth with ease.

Lastly, as Holmes and a stable of other characters, Scanlon gives a standout performance here. It’s not his first time playing a detective on the Lighthouse stage, having previously starred in last summer’s ‘Murder at Ackerton Manor,’ another mystery-spoof that brought the house down.

As Holmes, Scanlon has the accent, the chops, and the comedic timing needed to bring such a heightened, farcical take on the character to life. 

The shaggy, lighthearted approach extends to all aspects of the show’s production, with sharp claps of thunder and lightning and comically timed gunshots aplenty, and several hilarious scenes where characters encounter the hound approaching in the distance and try to outrun him across a field of moors plagued by patches of quicksand.

Dummies, fake beards, and terrible wigs all add to the show’s charm, and director Derek Ritschel’s deft hand ensures things never lag, with the action taking place at a brisk pace that means the next laugh is never far away.

“As a director, my greatest joy comes from working with artists who are fearless, and this cast delivers that in spades,” said Ritschel. “Watching them navigate this high-stakes mystery while shape-shifting from butler to baroness to bloodhound is a feat worth witnessing.”

The Hound of the Baskervilles is on the stage at the Lighthouse Festival Theatre on the shores of Port Dover until July 5, and then from July 9-20 at Port Colborne’s Roselawn Theatre. For tickets and information, visit lighthousetheatre.com or call 1-888-779-7703.

If you’re in need of a night full of hearty chuckles, laugh-out-loud moments, and even the odd guffaw, hurry down to Lighthouse and see this one while you can!


After studying journalism at Humber College, Mike Renzella desired to write professionally but found himself working in technical fields for many years. Beginning in 2019 as a freelancer, he joined the team full-time later that year. Since then, Mike has won several awards for his articles thanks to his commitment to presenting an unbiased, honest look at the important news and events shaping our community.

Meet the cast of Hidden Treasures | Jennifer Dzialoszynski as Lacy/Cassie

We chatted with Jennifer Dzialoszynski about our upcoming production of Hidden Treasures. We asked what she loved about her character, what type of person would enjoy this show, and what the audience might be thinking on their way home from the show.

Jennifer Dzialoszynski as Lacy/Cassie in Hidden Treasures

Lighthouse Festival (LF): What do you think the audience members will be thinking on their way home from the show?

Jennifer Dzialoszynski (JD): I hope audiences will be thinking about what it would be like to get a second chance in their own lives, or what it would be like to have a personal narrator, and what they would do differently, if anything, if they did. 

(LF): What do you love about your character? 

(JD): I play two different characters, and what I like about them is how different they are from each other. I get to explore various creative directions, and I love stretching my creative boundaries. 

(LF): What type of person is going to love this show? 

(JD)I think the type of person who will love this show is someone who likes to think about the “what ifs” in life, with a grain of salt and a good laugh. 

For Immediate Release: Lighthouse Festival Accepting Script Submissions for 2026 Play Development Festival 

Play Development Festival to be held from March 6 to 11, 2026

June 16, 2025 – Port Dover, ON | Lighthouse Festival is excited to announce the official call for submissions for the 2026 Play Development Festival, taking place March 6 to 11, 2026. Canadian playwrights from coast to coast are invited to submit their unproduced comedic works for the chance to be developed and showcased on Lighthouse’s mainstage. 

Now entering its second year before the pandemic, the Play Development Festival is an integral part of Lighthouse’s commitment to supporting new Canadian voices in theatre. Submissions are open from June 1 to September 15, 2025, and selected playwrights will receive dramaturgical support, rehearsal time with professional artists, and a staged reading in front of a live audience who are invited to give feedback. 

“We’re on the hunt for fresh, funny, and fearless storytelling,” says Jane Spence, Artistic Director of Lighthouse Festival. “Our audiences love to laugh, and this festival is an incredible opportunity for playwrights to develop their comedic voice in a supportive and collaborative environment.” 

Playwrights are invited to submit unproduced, comedic two-act plays that run approximately 90 minutes in length. Scripts must require no more than six actors (though those actors may play multiple roles). If submitting a musical, scripts must be designed for a maximum of four performers. Plays that have not yet received a professional production are eligible, including those that have had previous readings or workshop presentations. 

A selection committee of theatre professionals will review all eligible submissions. Three scripts will be chosen to participate in the 2026 Play Development Festival. Each selected playwright will work closely with a dramaturge and director to refine their script and present it to an engaged audience during the festival week. The festival also serves as a potential pipeline to full productions in Lighthouse’s summer seasons. 

“As a company, we’re always looking ahead to what Canadian theatre can be,” adds Spence. “The Play Development Festival gives playwrights space to take creative risks and shape the future of comedic storytelling on our stages.” 

Lighthouse Festival remains dedicated to fostering new Canadian work and championing the development of playwrights at all career stages. Past festivals have included emerging and established voices alike, and several featured scripts have gone on to full productions and publication. 

Interested playwrights are encouraged to review the full submission guidelines at lighthousetheatre.com/play-development/play-development-festival/ and submit their script by the September 15, 2025 deadline

About Lighthouse Festival

Lighthouse Festival is a charitable organization devoted to the development and production of new and existing Canadian plays. Lighthouse Festival strives to be artistically excellent, support and encourage local and regional artists, and be a source of enjoyment and pride in local communities while promoting local tourism. Located in two beautiful towns on Lake Erie, our theatres operate on a central policy of hospitality, inclusivity, accessibility, and affordability for all.

Media Contact

For media inquiries, cast interviews and further information, please contact:

Don Kearney-Bourque
Marketing & Communications Manager
Lighthouse Festival Theatre Corporation
don@lighthousetheatre.com
Direct: (226) 290-0070
Cell: (289) 541-7410
www.lighthousetheatre.com

Meet the cast of Hidden Treasures | Melanie Janzen as Barb/Angel

We spoke with Melanie Janzen about our upcoming production of Hidden Treasures. We asked why she wanted to be involved in this production, what she loved about her character, and what type of person will enjoy this show.

Melanie Janzen as Barb/Angel in Hidden Treasures

Lighthouse Festival (LF): Why did you want to be involved in this production? 

Melanie Janzen (MJ): I want to be involved in this production for the same reason I am blessed to work in any production; it’s challenging, always a wonderful learning opportunity, and it’s fun! 

(LF): What do you love about your character? 

(MJ): What I love about the characters I play in this production is that they don’t exist in the accepted ‘reality’ that we all collectively agree on. They live in a fanciful realm – discovering what motivates them and determining what their wants and needs are will be coloured by that. 

(LF): What type of person is going to love this show? 

(MJ): I think the type of person who would love this show would be anyone who loves theatre! This production of two one-act plays by Norm Foster is quirky, surprising, and fanciful, and we often look to the theatrical experience for those qualities.  It’s Norm Foster in a particularly playful mood! 

This Ontario beach town known for Friday the 13th feels like the ‘ultimate resort town’

The bikers are on to something. Port Dover is described as having a clean, sandy beach and a romantic pier that make it one of Ontario’s best kept secrets.

By Mike Pearson | Reporter with InsideHalton.com

Tuesday, June 10th, 2025

Friday, June 13th is just around the corner, and that means tens of thousands of people — and bikers — will visit Port Dover, a town of 8,000 people on the north shore of Lake Erie.

The town’s famous motorcycle rallies attract bikers from across Ontario, Quebec and the northeastern United States.

Port Dover Friday the 13th tradition

The tradition began in 1981, when a few friends got together at a downtown hotel and pledged to return whenever the calendar flipped to Friday the 13th, regardless of weather.

Sunny skies brought tens of thousands of bikers to Port Dover for the Friday the 13th motorcycle rally in May 2022.  J.P. Antonacci/The Hamilton Spectator file photo

Today, Friday the 13th is more than just a motorcycle rally.

The event attracts visitors of all ages for main stage entertainment at Main and Walker streets, starting Thursday (June 12) at 7 p.m.

The action continues for the main event on Friday, with musical entertainment beginning at 11 a.m. This year’s performers include Tragically Hip, Motley Crue and Guns N’ Roses tribute bands.

Plenty of food options are available, from hot dogs, fries, pizza and burgers to Port Dover’s famous perch, pickerel and celery bread.

In recent years, Friday the 13th has grown so big that organizers have closed Port Dover’s downtown area to vehicle parking. Out-of-town parking is available on the outskirts of Port Dover (468 Concession 2) for $10 per person, with shuttle service by the Port Dover Kinsmen Club.

Expect increased OPP presence 

With another influx of guests expected June 13, Ontario Provincial Police have announced an increased police presence in Port Dover.

Motorcyclists and other drivers are reminded to share the road, especially with the higher traffic volumes expected over the weekend.

Parking in prohibited areas may result in towing and fines exceeding $400, the OPP warn.

More to offer

While Friday the 13th happens just one to three times a year, the Port Dover Board of Trade notes the community has a lot to offer throughout the summer.

“Port Dover offers a remarkable array of festivals, beautiful scenery and unique experiences,” the group notes online. “From surprisingly affordable family fun in the sun to sophisticated dining and acclaimed professional live theatre, Port Dover’s warmth, charm and unique history will excite your imagination … and capture your heart.”

The downtown area features one-of-a-kind shops and boutiques and heritage hotels.

A clean, sandy beach and a romantic pier make this lakeside town one of Ontario’s best kept secrets, the Port Dover Board of Trade notes.

It’s just two hours away from Toronto and 45 minutes from Brantford.

The ultimate resort town

Ontario’s Southwest Tourism raves about Port Dover.

“Walk the beach in Port Dover and you’ll feel like you’ve arrived in the ultimate Ontario resort town,” the group notes. “The scenic pier is the place to be for fishing, taking a romantic stroll or watching the tugboats return with their daily catch.”

While only a small portion of the beach is open to the public, tourists can also visit nearby beaches like Turkey Point and Long Point.

Where to eat in Port Dover

Knechtel’s on the Beach (15 Walker St., Port Dover) is known for its perch snack box, halibut, pickerel, burgers, hot dogs and poutine.

A Port Dover staple since 1919, The Arbor (101 Main St.) is famous for its foot-long hot dogs and “Golden Glow” fresh fruit drinks.

The Fisherman’s Catch Bar and Restaurant (18 Walker St.) is known for perch and pickerel as well as combo dinners.

DeKoning’s Restaurant (1768 Hwy. 6) is popular for reasonably priced breakfast, lunch or dinner with large portions.

Visit Schofield’s Bistro (243 Main St.) for a full brunch menu, appetizers like crispy cauliflower and crab cakes, plus dinner entrees like maple chili glazed Atlantic salmon and beef tenderloin.

Where to stay in Port Dover

The Erie Beach Hotel (19 Walker St.) is already fully booked for Friday the 13th, but you can still enjoy a weekend getaway later in the summer. Dine in the hotel’s Cove Room or Terrace Room, featuring tableside salads and hot celery bread. The landmark features a wooden sculpture of a mariner, which has been welcoming guests to downtown Port Dover since 1946.

The Brant Hill Inn (30 John St.) features majestic harbour views from 12 modern rooms and affordable nightly rates during the tourist season.

Shore Acres is a quiet, well-maintained seasonal trailer park on the Lake Erie shoreline (574 Radical Rd.) within walking distance to downtown Port Dover. Seasonal and overnight space is available.

Shopping in Port Dover

Cashmere & Cobwebs boutique (339 Main St.) offers, affordable and stylish ladies’ fashions, accessories, jewelry and one-of-a-kind gifts, with new arrivals daily.

North Shore Soapworks (359 Main St.) has natural bath and body care products, soaps and lotions, jewelry and more.

Liberty Home and Gifts (19 Harbour St.) has souvenirs, nautical decor, puzzles, shells, cast iron, salt water taffy and other keepsakes to remind you of your trip to Port Dover.

Port Dover Jewellery & Gifts (343 Main St.) has a wide selection of gold and silver jewelry, watches and giftware in the heart of the downtown.

Things to do in Port Dover

Arbortown Mini Golf (100 Main St.) features 18 holes of family fun and excitement.

Lighthouse Festival Theatre promises a summer of laughter in its historic downtown location at 247 Main St. The summer season includes “Hidden Treasures,” a showcase of two one-act plays by Norm Foster. Other shows include “The New Canadian Curling Club,” “The Hound of the Baskervilles” and “Pinkerton Comes to Prospect.” See ticket information and showtimes online.

The South Coast Jazz 2025 music festival runs from Aug. 8 to 10 in Port Dover and Brantford. The all-Canadian lineup features Lighthouse, known for such hits as hits such as “One Fine Morning,” “Sunny Days” and “Hats Off to the Stranger.” Tickets are now available online.

— With files from J.P. Antonacci, The Hamilton Spectator

Meet the cast of Hidden Treasures | David Leyshon as Miles/John

We chatted with David Leyshon about our upcoming production of Hidden Treasures. We asked what he loves about his character, the last thing he does before stepping out on stage, and what he thinks the audience members will be thinking on their way home from the show.

David Leyshon as Miles/John in Hidden Treasures

Lighthouse Festival (LF): What do you love about your character? 

David Leyshon (DL): What I love about all of Norm’s characters is that there is always a ready connection to them, both from the perspective of the actor and the audience. He writes characters that are complex and real, which makes them instantly relatable – audiences can see themselves in these people. He gives his characters a voice that always seems to resonate. These characters make us laugh, but also make us reflect. Writing like that is always a joy to play! 

(LF): What’s the last thing you do before you step out on stage?

(DL): I suppose I try to quiet my mind, focus and put myself in the world of the play. Every audience deserves the best we’ve, so ensuring I’m as focused and ready as possible gives me the best chance of making the show fresh and alive every night. 

(LF): What do you think the audience members will be thinking on their way home from the show?

(DL)I think the audience will leave the theatre with giant smiles on their faces, and maybe give a thought to the things they would say to those they care about if they were given the chance to say one last thing. 

Meet the cast of The Hound of the Baskervilles | Andrew Scanlon as Sherlock Holmes

We chatted with Andrew Scanlon about our upcoming production of The Hound of the Baskervilles. We asked why he wanted to be involved in this production, what he loved about his character, and what type of person will enjoy this show.

Andrew Scanlon as Sherlock Holmes in The Hound of the Baskervilles

Lighthouse Festival (LF): Why did you want to be involved in this production? 

Andrew Scanlon (AS): I wanted to be involved in this production because my first season with Lighthouse last summer was absolutely incredible. Everyone, from the staff to the technical teams, crew, my fellow actors, and the amazing volunteers and the wonderful, supportive audiences – made me feel so welcome, and reinforced what an incredibly joyful and special place this is to come and create theatre. When the opportunity came along to return to Lighthouse in another fabulous comedy, I jumped at the chance!  

(LF): What do you love about your character? 

(AS): I get to be Sherlock Holmes! Who wouldn’t love the chance to play one of the most fantastic characters in literary history? I love his confidence, his mischief, and his dramatic flair. I love that he always remains one step ahead of everyone, but is sure to give very little away. love that in this version, all of the high-stakes drama of a Holmes mystery is set against a very irreverent, silly comedic backdrop. It’s a fun line to walk as an actor. It’s going to be a total blast from start to finish!  

(LF): What type of person is going to love this show? 

(AS): I think anyone looking for the opportunity to slip away into a world of mystery and intrigue and rollicking laughs. I think fans of Sherlock Holmes will love this adaptation, which plays very cleverly with all the creepy twists and turns of the classic story. But if you’ve never seen a Holmes mystery in your life, this is the absolute perfect comedic entry point! 

Meet the cast of The Hound of the Baskervilles | Jonathan Ellul as Watson

We chatted with Jonathan Ellul about our upcoming production of The Hound of the Baskervilles. We asked why he wanted to be involved in this production, what he loved about his character, and what type of person will enjoy this show.

Jonathan Ellul as Watson in The Hound of the Baskervilles

Lighthouse Festival (LF): Why did you want to be involved in this production? 

Jonathan Ellul (JE): I wanted to be involved in this production because of the creative team involved, and when I heard who the other potential actors would be! 

(LF): What do you love about your character? 

(JE): I love that my character is the “innocent” one in the story. Watson is always trying to figure out the next piece of the puzzle, but there is also a lot of stepping in and out of character which in our version contrasts with everything about the “character I’m playing”. 

(LF): What type of person is going to love this show? 

(JE): I think that the type of person who would love this show is someone who loves a clever send-up of a classic, and who loves a great comedy! This show is a treat for anyone, even if they know nothing about Sherlock Holmes! 

Review: Throwing rocks is just the beginning (Hamilton Spectator)

The New Canadian Curling Club is a comedy with something serious to say. It’s so worth your time. Don’t miss it.

By Gary Smith | Special to the Hamilton Spectator

Thursday, May 29th, 2025

John Jarvis, Frank Chung, Chiamaka Glory, Mahsa Ershadifar, and Andrew Prashad in Lighthouse Festival’s 2025 production of The New Canadian Curling Club. | Photo Credit: Don Kearney-Bourque

Hurry hard to Port Dover.

“The New Canadian Curling Club” has opened and it’s a doozy of a play. If you can’t get a seat at Dover, try Port Colborne, but do it fast. This one’s going to be a hot ticket.

The Lighthouse Festival Theatre is known as a home to plays with a decidedly Canuck point of view. This one’s no exception.

You don’t have to know a fig about curling. Rocks and ice are just the backdrop here for warm-hearted comedy.

It’s a feel-good sort of play. And yes, it pushes the right buttons as playwright Mark Crawford makes curling the backdrop for some insightful thoughts on immigration and Canada. More than anything he pricks our social conscience, celebrating the sometime troubled experience immigrants can have searching for the good life in Canada.

Crawford makes us empathize with four ingratiating immigrant characters who find challenges as they assimilate into Canadian culture. Always there is a serious undertow beneath the comedy. Then too, Crawford plays devil’s advocate, making us wince when we catch ourselves laughing at obvious, purposely placed racist jokes that cause us to catch our collected breath.

Crawford builds his characters so well. We acknowledge the fact they’ve come to Canada with open hearts and open minds. And we remember that the melting pot of our nation, our “true north strong and free,” is the fabric of our future.

The skill here is the way he does this without a heavy hand, without ever forcing a depressing political context.

So, here’s the skinny. Four new Canadians, living somewhere in small-town Ontario, sign up for a weekly class in curling. The notion is that meeting once a week at the local curling club, might make them feel more welcome, maybe even more Canadian.

But whoops. There are problems here from the get-go. Slipping and sliding around on a cold, icy surface and navigating a difficult challenge makes for a frosty experience.

Speaking of frosty, these nervous participants soon meet the hard-nosed Stuart McPhail, a crusty old curler and wily caretaker of the rink. Coerced into training the raw, but willing newcomers he isn’t too happy. Not exactly a full-blown redneck, cantankerous McPhail can still snap out quasi-racist remarks like “All in the Family’s” Archie Bunker.

Played to perfection by craggy John Jarvis, McPhail makes the man funny, irascible and vitriolic. He is, however, the glue that holds this comedy together. His overt snap and crackle keep the play from becoming too serious and sentimental, too much of a bald polemic.

The quartet of newbies that turn up for his tutelage are superbly well-rounded, never just mouthpieces for resentment, annoyance and a need for change.

Charmaine Bailey is the tough-talking Jamaican, played with sass and sizzle by lovable Chiamaka Glory. Charmaine’s lived in Canada for many years, but her feathers still ruffle appropriately when she’s condescendingly asked where she’s from.

Mike Chang, played with quiet intensity by Frank Chung, is finishing up a residency at a local hospital. He wants to stay in Canada after his internship is over. He also wants to marry his girlfriend, who just happens to be McPhail’s granddaughter.

Does the girl’s family want the name Chang on the embroidered pillowcases? Given this play’s context what do you think?

Add Anoopjeet Singh, played with warmth and sublimated anger by handsome Andrew Prashad. Passed over yet again for advancement at a local Tim Hortons, he’s lived in Canada for 10 lean years, and still isn’t debt-free and unplagued by racist epithets that taunt him as he’s serving up those smoothies and doughnuts.

Finally, there’s Fatima, a teenager from Syria, played with passion by Mahsa Ershadifar. She’s really the only new Canadian in this quartet. She’s trying hard to assimilate into a new land, even though she’s living with issues from her troubled past.

How these diverse Canadians learn to face humiliation on the ice and still sweep a rock isn’t the main point of Crawford’s play. What we cheer for at the predictable conclusion isn’t their earnest, rather rudimentary skill at a Scottish game brought to Canada by earlier immigrants. No, it’s rather how they’ve found a connection, not only with each other, but with their life in a sometimes-cold new land.

When they sing a rousing verse of “O Canada” near the play’s emotional finish, you could feel the audience in Dover wanting to rise up and sing with them. And isn’t that just the point?

Directed with sensitivity and skill by Jane Spence, this production never shies from the play’s darker, less felicitous moments.

Spence cements the fragmented scenes of the play’s busy second act into a unified whole, helping it build to a satisfying, believable conclusion.

Beckie Morris’s perfect setting — a red, white and blue arena, with a prominent Canadian flag, as well as a Tim Hortons sign or two — suggests the slightly shopworn reality of a local community rink. And you’ll actually believe these folks are working on real ice, even though if you stay in your seat, you’ll see an assistant stage manager spray the fake ice surface at intermission with something that stinks like lemon chemical and makes things awful slippery.

Alex Amini does her usual fine job of providing lived-in-looking costumes and Steven Lucas adds lighting that gives the show a warm enticing glow.

“The New Canadian Curling Club” is a comedy with something serious to say. It’s so worth your time. Don’t miss it.

Opinion articles are based on the author’s interpretations and judgments of facts, data and events. More details

Gary Smith has written about theatre and dance for The Hamilton Spectator, as well as a variety of international publications, for more than 40 years.

For Immediate Release: Lighthouse Festival is pleased to present its second production of the 2025 Summer Season, The Hound of the Baskervilles.

Written by Stephen Canny & John Nicholson, this cheeky British import is directed by Derek Ritschel and features a cast of three actors playing 17 different roles.

May 26, 2025 – Port Dover, ON | The game is afoot at Lighthouse Festival as The Hound of the Baskervilles takes the stage as the second production of the 2025 summer season. Running from June 18 to July 5 in Port Dover and July 9 to 20 in Port Colborne, this riotous adaptation of the Sir Arthur Conan Doyle classic promises non-stop laughs, jaw-dropping transformations, and a spine-tingling mystery with a decidedly ridiculous twist.

Written by Steven Canny and John Nicholson, this brilliantly funny take on one of literature’s most iconic detective stories trades fog for farce as three actors take on over a dozen roles. Directed by Lighthouse Festival’s Director in Residence, Derek Ritschel, this production stars a powerhouse comedic trio: Jonathan Ellul, Sweeney Macarthur, and Andrew Scanlon.

Derek Ritschel, Director

“Theatre should entertain, surprise, and leave your cheeks sore from smiling, and this show delivers all three,” says director Derek Ritschel. “We’ve taken one of the greatest mysteries ever written and turned it into a night of organized chaos, breathless quick changes, and endless hilarity. These actors are fearless, and the audience is in for a howling good time.”

“Steve and I had a great time writing this adaptation – nearly 20 years ago now. It’s also been a pleasure to come back to the script almost every year since to update it, in response to new productions,” says playwright John Nicholson. “Since its West End run in London, the show has travelled all over the world, and we’re thrilled that it has now landed at Lighthouse Festival. We know you’re in for a good time!”

Jonathan Ellul, taking on the role of the infamous sidekick Watson, says “What I love about my character is that I get to be the ‘innocent’ in the story because Watson is always trying to figure out the next piece of the puzzle, but also, there is a lot of stepping in and out of character which, in our version, contrasts with everything about the ‘character I’m playing’.”

Andrew Scanlon

“I think anyone who is looking for a real escape is going to love this show; anyone looking for the opportunity to slip away into a world of mystery and intrigue and rollicking laughs, says Andrew Scanlon, who plays Sherlock Holmes. “I think fans of Sherlock Holmes will love this adaptation, which plays very cleverly with all the creepy twists and turns of the classic story. But if you’ve never seen a Holmes mystery in your life, this is the absolute perfect comedic entry point!”

From lightning-fast costume changes to laugh-out-loud dialogue and a few howls in the night, The Hound of the Baskervilles is the perfect blend of classic storytelling and madcap comedy. Whether you’re a die-hard Holmes fan or simply love a good laugh, this production is sure to be a highlight of your summer.

Tickets are available now at www.lighthousetheatre.com or by calling 1-888-779-7703.

About Lighthouse Festival

Lighthouse Festival is a charitable organization devoted to the development and production of new and existing Canadian plays. Lighthouse Festival strives to be artistically excellent, support and encourage local and regional artists, and be a source of enjoyment and pride in local communities while promoting local tourism. Located in two beautiful towns on Lake Erie, our theatres operate on a central policy of hospitality, inclusivity, accessibility, and affordability for all.

Media Contact

For media inquiries, cast interviews and further information, please contact:

Don Kearney-Bourque
Marketing & Communications Manager
Lighthouse Festival Theatre Corporation
don@lighthousetheatre.com
Direct: (226) 290-0070
Cell: (289) 541-7410
www.lighthousetheatre.com

Teens learn tricks of theatre trade from industry pros (The Brock News)

From writing plays to designing sets and all aspects of theatre in between, high school students from across Canada were recently given a chance to hone their stage skills.

By Gillian Minaker | The Brock News

High school students from Ontario and New Brunswick made puppets in a workshop led by Dramatic Arts instructor and local designer for theatre Alexa Fraser as part of the 2025 National STAR Festival hosted at the MIWSFPA.

May 21, 2025

From writing plays to designing sets and all aspects of theatre in between, high school students from across Canada were recently given a chance to hone their stage skills.

Hosted by Brock’s Department of Dramatic Arts (DART), the 2025 National STAR (School Theatrical Arts Recognition) Festival welcomed 200 students to the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) from May 8 to 10 for a packed schedule of workshops and opportunities to showcase their talents through friendly competition.

“Dramatic Arts at Brock is fortunate to have our University’s support in making an equitable and inclusive space for all voices to grow,” said DART Chair Jennifer Roberts-Smith. “We were delighted to welcome the new perspectives of this year’s STAR Festival participants to our beautiful facilities at the Marilyn I. Walker School.”

Dramatic Arts graduate James McCoy (BA ’14), left, Head Technician at Lighthouse Festival’s Roselawn Theatre and DART Head of Scenic Construction and Instructor Ed Harris demonstrated stagecraft skills to students of Laura Secord Secondary School, A.N. Myer Secondary School and Waterloo Oxford District Secondary School during the Technical Theatre Olympics Challenge.

Dramatic Arts graduate James McCoy (BA ’14), left, Head Technician at the Roselawn Theatre and DART Head of Scenic Construction and Instructor Ed Harris demonstrated stagecraft skills to students of Laura Secord Secondary School, A.N. Myer Secondary School and Waterloo Oxford District Secondary School during the Technical Theatre Olympics Challenge.

David Vivian, DART Associate Professor and Scenographer, said engaging workshops led by acclaimed industry professionals and post-secondary educators provided a powerful platform for students to shine.

“From musical theatre to playwriting, and technical design — including costume, sound, lighting, set design, and stage management — participants gained valuable insight from influential theatre artists,” he said.

Vivian co-organized the festival with Tracy Garratt, Program Leader for the Arts with the District School Board of Niagara and a teacher at A.N. Myer Secondary School in Niagara Falls.

Garratt, a champion of STAR Festival programming in Niagara, said opportunities to engage with diverse narratives and characters help students develop empathy and critical thinking skills, fostering a deeper understanding of the world around them and inspiring change in their communities.

“As a passionate teacher in the arts, I believe in the transformative power of theatre and the joy of participating in festivals that celebrate creativity,” she said. “Theatre not only nurtures artistic voices but also serves as a vital educational tool that helps students explore complex social issues and inequities.”

Adjudicators of the event represented a diverse cast of theatre professionals in the region, including current and past Shaw Festival ensemble members.

Vivian said DART’s close relationship with the Shaw Festival’s performing, production and administrative teams is an important component of learning for the Brock community.

“The DART Shaw Festival Internship has been a life-changing experience for our senior and graduating students,” he said.

DART graduates also returned to lend their expertise to the next generation, including theatre artist James McCoy (BA ’14), Head Technician at the Roselawn Theatre with Lighthouse Festival Theatre in Port Colborne.

McCoy shared his skills and career experience in a workshop in the Dramatic Arts Scene Shop where students learned new stagecraft skills and put them to the test in the “Olympic”-style program in collaboration with Vivian and Ed Harris, Head of Stage Construction for Dramatic Arts.

Emmett Carter, an A.N. Myer Secondary School student, said the festival gave him a feel for friendly competition, much like an audition process, while learning what other theatre artists across the country are creating.

Students from DSBN Academy in St. Catharines performed an original new play “Dogs Smell Blood” written by student Alaster Nikolic (front). The students polished the play in two sessions with renowned Canadian playwright John Lazarus and Canadian actor, screenwriter and sound designer Sean Meldrum. The play was selected in the national competition for the STAR Short Play program and will be published by TRW Plays (New York).

“Being here together gave me the opportunity to learn what is important to students from other provinces,” he said.

Fellow A. N. Myer student Matt Niddrie said the festival was building community.

“At the awards ceremony, we cheered each other on and celebrated our accomplishments reflecting our shared passion for theatre arts,” he said.

During the festival, a DART Creative Citizenship Scholarship award was launched by the department, with the inaugural award presented to a Saint Paul Catholic High School student.

“Whether these emerging young artists pursue studies in music theatre, dramatic arts, teacher education or other subjects such as the pre-med sciences, nursing, maths and business, I am very enthusiastic about their developing capacity to drive original and meaningful change,” Vivian said.

The third Niagara Regional STAR Festival is planned for December 2025 at the MIWSFPA.